Landlord Kohlhiesl has two daughters that couldn't be more different: Lisel, the older one, is a clumsy fellow. Gretel on the other side is pretty and charming. Gretel wants to marry, but ... See full summary »
Axel von Ambesser
As an employee at the United Nations building in New York City, Bob Hope finds himself in charge of an infant abandoned at the UN. Besides being a bachelor trying to cope with an infant, he... See full summary »
A young shoemaker is arrested for stealing a small amount of money, and is released after being jailed for 15 years. He wants to have a pass to get a job and start anew, but without a job ... See full summary »
A drifter comes to town where his brother is sheriff. His brother is actually a robber who broke the real sheriff's leg and left him for dead, and became sheriff in order to hide out. They ... See full summary »
Gwen has just discovered, that she's the final member of the secret time-traveling Circle of Twelve. Now she has to juggle with constant trips to the past, her relationships with Gideon and figuring out dark secrets surrounding the Circle.
I was expecting your typical colourful, sickly-sweet, inane, trashy, multicoloured, forget-the-war, 1950ies eyecandy. In fact I only saw this because I'd read in an article that in German carnival, a Piroschka costume is as popular a costume for females as pirate, cowboy or Indian costumes are for men.
In other words, I wasn't exactly bracing myself for a staggering cinematic experience.
What I got was a captivating, timeless, epic and utterly charming love story. Naive, yes. Construed, you bet. Psychedelically coloured, hell yeah. A fairy tale. But one that knocked me dead. Lilo Pulver, a Swiss German who already has a hard a time hiding her Swiss German accent, affects a silly Hungarian patois, but she more than makes up for it by creating the phenotype of a sassy, vervy ingénue who has to fight her mundane "blonde poison" adversary (Wera Frydtberg) for the love of doe-eyed German student dreamboat (apparently) Andreas (Gunnar Möller).
This movie is an enormous accomplishment of director Kurt Hoffman (I know, I'd never heard of this guy either). Everything is just perfectly in place, spot-on. There are 999 ways of getting this movie wrong, just one way of getting it right, and Hoffman nailed it.
Girls, if you ever wondered "what men want", forget Cosmo and Sex In The City -- here's the blueprint.
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