Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood ... See full summary »
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ... See full summary »
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Lynchburg Virginia is a present day mecca for the influx of Baptists that study there at the world's largest Christian college and for the immigrating retirees that arrive frequently... See full synopsis »
Deprived of a normal childhood by her ambitious mother, Katie, Lillian Roth becomes a star of Broadway and Hollywood before she is twenty. Shortly before her marriage to her childhood sweetheart, David Tredman, he dies and Lillian takes her first drink of many down the road of becoming an alcoholic. She enters into a short-lived marriage to an immature aviation cadet, Wallie, followed by a divorce and then marriage to a sadistic brute and abuser Tony Bardeman. After a failed suicide attempt, Burt McGuire comes to her aid and helps her find the road back to happiness after sixteen years in a nightmare world, not counting the first twenty with her mother. Written by
Les Adams <email@example.com>
Lillian Roth was disappointed that MGM did not ask her to sing for Susan Hayward on the soundtrack. Coordinated with the movie's release, Epic Records issued an album of Lillian reprising tunes associated with her career in vaudeville, on Broadway and in Hollywood. Containing 12 songs with an orchestra directed by Don Costa, the album used the same title ("I'll Cry Tomorrow") as Miss Roth's 1954 autobiography (co-written with Mike Connolly and Gerold Frank), plus the 1955 biopic. Miss Roth's LP contained the three complete numbers performed by Susan in the movie: "Sing You Sinners," "When the Red, Red Robin Comes Bob, Bob, Bobbin' Along" and "Happiness Is a Thing Called Joe." Lillian's LP did not include "The Vagabond King Waltz" (sung partially on screen by Miss Hayward) nor the film's promotional song (music by Alex North, lyrics by Johnny Mercer), a mournful ballad introduced on disc by Susan, who was backed by Johnny Green and His Quartette. Initially, the Hayward cut was released by MGM Records on both a 45-rpm single (flip side: Cole Porter's "Just One of Those Things") and on a six-selection EP. In 2004, the commercial theme recorded by Susan was reissued on the full soundtrack CD by Film Score Monthly. See more »
After Lillian loses out on an audition at age 8, her mother speaks to her on the street in front of a Dad's Root Beer sign. This takes place in 1918. Dad's Root Beer didn't exist until 1937. See more »
[alcoholic Lillian is desperate for a drink - mother drops the glass bottle on the floor, shattering it]
OH! Look what ya did! And ya DID IT ON PURPOSE! You're still trying to make me do what you want, to be what you want! I can't be anything except what I am! Look, look what did you drop that bottle for? What are you trying to do, drive me crazy? Go on, GET THE BOTTLE! GET IT NOW!
All right! All right! All right, it's my fault, huh? I made you become an actress, you didn't want to, all right. ...
[...] See more »
Sad story but Susan Hayward's powerhouse performance holds you from beginning to end. She's matched by Jo Van Fleet as her mother, even though she's overbearing and grasping she makes it clear that she loves her daughter and is at a loss as to how to help her as she washes away in a sea of alcohol. This could be Hayward's career best performance even if it's a stretch at the beginning to believe she's suppose to be in her late teens. Forget that and watch as she takes you through the downward spiral of this tormented woman, doing her own vocals most impressively. Her scenes when Lillian has hit rock bottom are almost painful to watch but her mastery is assured.
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