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I Died a Thousand Times (1955)

6.4
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Ratings: 6.4/10 from 498 users  
Reviews: 21 user | 11 critic

When aging criminal Roy Earle escapes from prison he decides to pull one last heist before retiring by robbing a resort hotel.

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Title: I Died a Thousand Times (1955)

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Cast

Complete credited cast:
...
Roy Earle / Roy Collins
...
Lori Nelson ...
...
...
Chico (as Gonzalez Gonzalez)
...
Big Mac (as Lon Chaney)
...
Red
...
Richard Davalos ...
Howard St. John ...
Olive Carey ...
Ralph Moody ...
James Millican ...
Bill Kennedy ...
Sheriff
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Storyline

During the 1950s California aging bank robber Roy "Mad Dog" Earle escapes from prison.Once out of prison, Roy,at the request of his crime boss "Big Mac",decides to pull one more heist before retiring.His target is a fancy mountain resort hotel where employee Louis Mendoza is Roy's "inside man".Roy Earle's team of robbers include hotheaded Babe,Red and dance-hall girl Marie.Marie falls for Roy but he only thinks of innocent young girl Velma whom he recently met.Velma has a slight foot handicap and smitten Roy plans to pay for her foot surgery with his share of the loot.Unfortunately,the robbery doesn't go as planned. Written by nufs68

Plot Summary | Add Synopsis

Taglines:

The Million-Dollar Killer And The Dime-A-Dance Doll... See more »


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Details

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Release Date:

9 November 1955 (USA)  »

Also Known As:

Gegen alle Gewalten  »

Company Credits

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 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(WarnerColor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Dennis Hopper makes an early acting appearance as the boy that Shelley Winters dances with at the house party in L.A. See more »

Goofs

As Roy Earle abandons his car, making his way up into the mountains through the snow, there are footprints, nearer to the camera, of someone who appears to have made a similar climb. See more »

Quotes

Big Mac: [Pouring a drink] It's like the doc says... if i don't lay off this stuff, it's gonna knock ME off, but I'm gonna die anyway.
[laughs]
Big Mac: So are you.
[Distainfully]
Big Mac: So what? Nobody ever left this world alive.
[Holding up his glass]
Big Mac: To you, Roy!
See more »

Connections

Referenced in What's My Line?: Episode dated 27 November 1955 (1955) See more »

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User Reviews

 
An unnecessary and lesser remake of High Sierra with color as its bait
28 June 2003 | by (Western New York) – See all my reviews

`Mad Dog' Earle is back, along with his sad-sack moll Marie, and that fickle clubfoot Velma. So are Babe and Red, Doc and Big Mac, and even the scenery-chewing mutt Pard. The only thing missing is a good reason for remaking Raoul Walsh's High Sierra 14 years later without rethinking a line or a frame, and doing so with talent noticeably a rung or two down the ladder from that in the original. (Instead of Walsh we get Stuart Heisler, for Humphrey Bogart we get Jack Palance, for Ida Lupino Shelley Winters, and so on down through the credits.) The only change is that, this time, instead of black-and-white, it's in Warnercolor; sadly, there are those who would count this an improvement.

I Died A Thousand Times may be unnecessary – and inferior – but at least it's not a travesty; the story still works on its own stagy terms. Earle (Palance), fresh out of the pen near Chicago, drives west to spearhead a big job masterminded by ailing kingpin Lon Chaney, Jr. – knocking over a post mountain resort. En route, he almost collides with a family of Oakies, when he's smitten with their granddaughter; the smiting holds even when he discovers she's lame. Arriving at the cabins where the rest of gang holes up, he finds amateurish hotheads at one another's throats as well as Winters, who throws herself at him (as does the pooch). Biding time until they get a call from their inside man at the hotel, Palance (to Winter's chagrin) offers to pay for an operation to cure the girl's deformity, a gesture that backfires. Then, the surgical strike against the resort turns into a bloodbath. On the lam, Palance moves higher into the cold Sierras....

It's an absorbing enough story, competently executed, that lacks the distinctiveness Walsh and his cast brought to it in 1941, the year Bogie, with this role and that of Sam Spade in the Maltese Falcon, became a star. And one last, heretical note: Those mountains do look gorgeous in color.


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