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I Died a Thousand Times (1955)

Not Rated  |   |  Crime, Drama, Film-Noir  |  9 November 1955 (USA)
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Ratings: 6.4/10 from 589 users  
Reviews: 23 user | 12 critic

When aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring by robbing a resort hotel.



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Title: I Died a Thousand Times (1955)

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Complete credited cast:
Roy Earle / Roy Collins
Lori Nelson ...
Chico (as Gonzalez Gonzalez)
Big Mac (as Lon Chaney)
Richard Davalos ...
Howard St. John ...
Olive Carey ...
Ralph Moody ...
James Millican ...
Bill Kennedy ...


During the 1950s California aging bank robber Roy "Mad Dog" Earle is pardoned after 8 years in prison.Once out of prison, Roy,at the request of his crime boss "Big Mac",decides to pull one more heist before retiring.His target is a fancy mountain resort hotel where employee Louis Mendoza is Roy's "inside man".Roy Earle's team of robbers include hotheaded Babe,Red and dance-hall girl Marie.Marie falls for Roy but he only thinks of innocent young girl Velma whom he recently met.Velma has a slight foot handicap and smitten Roy plans to pay for her foot surgery with his share of the loot.Unfortunately,the robbery doesn't go as planned. Written by nufs68

Plot Summary | Add Synopsis


The Million-Dollar Killer And The Dime-A-Dance Doll... See more »


Not Rated | See all certifications »




Release Date:

9 November 1955 (USA)  »

Also Known As:

Gegen alle Gewalten  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs


Sound Mix:

(RCA Sound Recording)



Aspect Ratio:

2.55 : 1
See  »

Did You Know?


Dennis Hopper makes an early acting appearance as the boy that Shelley Winters dances with at the house party in L.A. See more »


Near the end of the picture, when the cops are chasing Jack Palance in their cars and motorcycles to the mountains, the following mistakes can easily be seen. Watch the two motorbikes cops as they approach a bridge. Before crossing the bridge, one of the cops comes off his bike; parts of the bike can be seen flying, as indeed so does the cop. The next shot they are all chasing Jack's car as if nothing happened. Later as they approach a slippery bend, a cop again comes off his motorcycle, blocking the chase. Seconds later they are all seen still chasing the villain. See more »


Big Mac: [Pouring a drink] It's like the doc says... if i don't lay off this stuff, it's gonna knock ME off, but I'm gonna die anyway.
Big Mac: So are you.
Big Mac: So what? Nobody ever left this world alive.
[Holding up his glass]
Big Mac: To you, Roy!
See more »


Featured in Hollywood Remembers Lee Marvin (2000) See more »

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User Reviews

An unnecessary and lesser remake of High Sierra with color as its bait
28 June 2003 | by (Western New York) – See all my reviews

`Mad Dog' Earle is back, along with his sad-sack moll Marie, and that fickle clubfoot Velma. So are Babe and Red, Doc and Big Mac, and even the scenery-chewing mutt Pard. The only thing missing is a good reason for remaking Raoul Walsh's High Sierra 14 years later without rethinking a line or a frame, and doing so with talent noticeably a rung or two down the ladder from that in the original. (Instead of Walsh we get Stuart Heisler, for Humphrey Bogart we get Jack Palance, for Ida Lupino Shelley Winters, and so on down through the credits.) The only change is that, this time, instead of black-and-white, it's in Warnercolor; sadly, there are those who would count this an improvement.

I Died A Thousand Times may be unnecessary – and inferior – but at least it's not a travesty; the story still works on its own stagy terms. Earle (Palance), fresh out of the pen near Chicago, drives west to spearhead a big job masterminded by ailing kingpin Lon Chaney, Jr. – knocking over a post mountain resort. En route, he almost collides with a family of Oakies, when he's smitten with their granddaughter; the smiting holds even when he discovers she's lame. Arriving at the cabins where the rest of gang holes up, he finds amateurish hotheads at one another's throats as well as Winters, who throws herself at him (as does the pooch). Biding time until they get a call from their inside man at the hotel, Palance (to Winter's chagrin) offers to pay for an operation to cure the girl's deformity, a gesture that backfires. Then, the surgical strike against the resort turns into a bloodbath. On the lam, Palance moves higher into the cold Sierras....

It's an absorbing enough story, competently executed, that lacks the distinctiveness Walsh and his cast brought to it in 1941, the year Bogie, with this role and that of Sam Spade in the Maltese Falcon, became a star. And one last, heretical note: Those mountains do look gorgeous in color.

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