I Am a Camera (1955)

Director:

Henry Cornelius

Writers:

Christopher Isherwood (book)
John Van Druten (play)

Release Date:

2 December 1955 (Belgium)

Genre:

Drama

Tagline:

There are two points of view about SEX and " I Am a Camera" takes both of them!

Plot:

In the early thirties, aspiring writer Christopher Isherwood, living in Berlin, meets the vivacious...

Plot Keywords:

Based On Play | Based On Book

Awards:

Nominated for BAFTA Film Award.

Cast

Julie Harris	...	Sally Bowles
Laurence Harvey	...	Christopher Isherwood
Shelley Winters	...	Natalia Landauer
Ron Randell	...	Clive
Lea Seidl	...	Fräulein Schneider
Anton Diffring	...	Fritz Wendel
Ina De La Haye	...	Herr Landauer
Jean Gargoet	...	Pierre
Stanley Maxted	...	Editor
Alexis Bobrinskoy	...	Proprietor (Troika)
André Mikhelson	...	Head Waiter (Troika)
Frederick Valk	...	Doctor
Tutte Lemkow	...	Electro-Therapist
Patrick McGoohan	...	Swedish Water Therapist
Julia Arnall	...	Model

Runtime:

USA:98 min

Country:

UK

Language:

English

Color:

Black and White

Sound Mix:

Mono

Certification:

Finland:K-16 | Sweden:15

Company:

Romulus Films

Trivia:

The original Braodway production of "I am a Camera" by John Van Druten opened on November 28, 1951 at the Empire Theater and ran for 214 performances. The play was based on "The Berlin Stories" by Christopher Isherwood and was later developed by Fred Ebb and John Kander as the musical "Cabarat".

Goofs:

Anachronisms: While most of film is a flashback set in early Thirties, all of the costumes and hairstyles are straight out of the early Fifties.

Movie Connections:

Referenced in Chris & Don. A Love Story (2007)

Soundtrack:

Ich hab' noch einen Koffer in Berlin

Spellbound by Julie Harris, Charmed off Our Feet

I have just seen this delightful classic again after many years, the next to last film directed by Henry Cornelius, who died three years later at the age of only 45 (the same age at which the film's male star Larry Harvey was also to die in 1973). Three future directors were in the crew: Jack Clayton (Associate Producer), Guy Green (cinematographer), and Clive Donner (editor). This film is based upon the autobiographical story 'Goodbye to Berlin' by the well-known British author Christopher Isherwood, which was first turned into a play by John van Druten, then made into this film, then turned into a musical, 'Cabaret', and finally filmed as 'Cabaret', which brought the amazing Liza Minelli to world attention, with her voice which can shatter a glass at the distance of a mile. Isherwood appears as a character in the film under his own name. He was gay, but in those days that was illegal and could land him in prison, so he disguises his proclivities under the description of being what he calls 'a confirmed bachelor'. This is the key to his Platonic relationship with the wildly eccentric, wacky, promiscuous, ever-cheerful and thoroughly unique character whom he calls Sally Bowles. The portrait of Sally Bowles in this film is a tour-de-force by the young Julie Harris, who sweeps every scene into a magical and captivating web of sparkling personal charm. What a vehicle for an actress with plenty of charm of her own! It is one of the great cinematic performances of the 1950s. Isherwood is played to perfection by the young Lawrence Harvey, in a finely-judged performance which never allows the comedy to go over the edge, and even the moments of farce bordering on slapstick remain somehow 'almost believable'. Larry is so funny at portraying a wimpish hypochondriac. What an irony, considering the total lack of hypochondria shown by his bravery and stoicism in the last year of his life as he died from terminal stomach cancer and behaved with such dignity and lack of complaint. I knew him well in the last three years or so, and he was a generous, warm, and modest person. He adored his little girl Domino, now alas also tragically dead. Although Larry is described as born in Lithuania, I'm sure I remember him telling me he was of Latvian descent. Something for a Baltic expert to work out! This film was his finest early performance, to be followed by his spectacular work in 'Room at the Top' (1959), 'Summer and Smoke' (1961) and 'The Manchurian Candidate' (1962). Larry was often undervalued in his lifetime because he was too handsome, was often cast as a cad, and glamour boys are not always accepted as good actors, but many of the finest actresses played opposite him, and they were in no doubt of his abilities, and he was a strong lead in many of the most important films of his time. If he had lived beyond middle age, he would have gone from strength to strength and become a 'grand old man' of the screen. Sitting in his house in Hampstead one day, he gave me a glass of his usual white wine from a huge barrel which he had brought from some foreign cellar. I said he always gave me such delicious wine, what was it? He proudly answered that it was a Sancerre which he had chosen himself at the vineyard in France and had shipped over specially. He then added with extreme wistfulness: 'You know, I've been waiting for four years for someone to comment on it and ask me what it is, and you are the first person who has ever done so.' What mattered to him was to be recognised for having taste in wine,and his more glamorous friends had denied him that satisfaction. In this film, Anton Diffring gives a touching early performance as an earnest young man (later he was to have to play Nazi officers far too much, poor fellow), and the young Shelley Winters plays a rich German Jewish girl, in her usual noisy but effective manner, but it was not too difficult, as she was a noisy Jewish girl herself anyway. This film has such an air of joie de vivre about it, that it is pure delight.