How to Be Very, Very Popular (1955)2 girls on the lam hide out in a college fraternity. Director:Nunnally Johnson |
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How to Be Very, Very Popular (1955)2 girls on the lam hide out in a college fraternity. Director:Nunnally Johnson |
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| Cast overview, first billed only: | |||
| Betty Grable | ... |
Stormy Tornado
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| Sheree North | ... |
Curly Flagg
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| Robert Cummings | ... |
Fillmore 'Wedge' Wedgewood
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| Charles Coburn | ... |
Dr. Tweed
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| Tommy Noonan | ... |
Eddie Jones
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| Orson Bean | ... |
Toby Marshall
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| Fred Clark | ... |
B.J. Marshall
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Charlotte Austin | ... |
Midge
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Alice Pearce | ... |
Miss 'Syl' Sylvester
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| Rhys Williams | ... |
Cedric Flagg
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Andrew Tombes | ... |
Police Sgt. Moon
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Noel Toy | ... |
Cherry Blossom Wang
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Emory Parnell | ... |
Chief of Police
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Harry Carter | ... |
Bus Driver
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Jesslyn Fax | ... |
Music Teacher
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Song-and-dance girls Curly and Stormy Tornado hide out with the guys at Bristol College when they know they can identify the killer of a fellow performer at their San Francisco cabaret. But they rather stand out in their stage costumes and soon all sorts of trouble is heading their way. The fact that Curly has been hypnotised doesn't help. Written by Jeremy Perkins <jwp@aber.ac.uk>
Anemic comedy--a non-musical remake of 1934's "She Loves Me Not"--written by producer-director Nunally Johnson, who based his screenplay on the first version, which was adapted from both Ed Hope's book and Howard Lindsay's play, which was itself reworked in 1942 as "True to the Army" (!). With such a lopsided pedigree, it isn't any wonder why the finished results are so tepid. Betty Grable and Sheree North are "hoochie koochie" dancers in San Francisco who take it on the lam after witnessing a shooting at their dive in Chinatown; seeking refuge in a college fraternity house, North is inadvertently hypnotized by an amateur psychology major. Terrible acting, ugly decor, poor cinematography, and moldy attempts at 'modern' humor set aside, one can hardly keep from laughing when chorine Grable is described as a dancer in her twenties. This project was a hand-me-down from Grable's "How to Marry a Millionaire" co-star Marilyn Monroe after she bowed out; sadly, it was Betty Grable's final film. Shrill, desperate, and unrelievedly dull. * from ****