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High Society (1955)

Approved | | Comedy | 17 April 1955 (USA)
Sach is informed that he is the heir to the fortune of a high society mogul. When he arrives for the reading of the will, he discovers that the real heir is a young boy, and that Sach's ... See full summary »

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(story), (screenplay) | 2 more credits »
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Nominated for 1 Oscar. See more awards »

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Cast

Complete credited cast:
...
Terence Aloysius 'Slip' Mahoney
...
Horace Debussy 'Sach' Jones
...
Louie Dumbrowsky
...
Clarissa Jones
...
Chuck (as David Condon)
...
Sam Cosgrove
...
Henry Baldwin
Dayton Lummis ...
H. Stuyvesant Jones
Ronald Keith ...
Terwilliger Debussy 'Twig' Jones III
...
Frisbie the Butler
...
Palumbo the Pianist
...
Butch (as Bennie Bartlett)
Kem Dibbs ...
Marten the Chauffeur
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Storyline

Sach is informed that he is the heir to the fortune of a high society mogul. When he arrives for the reading of the will, he discovers that the real heir is a young boy, and that Sach's birth certificate had been forged by family members who don't want the youngster to inherit all the money. Sach and the gang determine to expose the relatives' scheme and see that the boy gets what is rightfully his. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis

Taglines:

Their Swankiest Prankiest Laugh Spree! See more »

Genres:

Comedy

Certificate:

Approved
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Details

Country:

Language:

Release Date:

17 April 1955 (USA)  »

Also Known As:

Alta sociedad  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The 37th of 48 Bowery Boys movies. See more »

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User Reviews

 
Always A Treat To See Leo And Huntz
12 February 2005 | by (New York City) – See all my reviews

It's not one of the better Bowery Boys pictures -- by the mid 50s the gang seemed pretty tired. It's main interest is seeing Amanda Blake just before Gunsmoke and, hell, I'd never turn down a chance to see Leo and Huntz, even when they're not at the top of their game.

But F Gwynplaine MacIntyre has it all wrong. The writers who were nominated for High Society weren't some delusional losers who thought some way they might actually win an Oscar. They were Hollywood veterans who had been in Hollywood for a quarter-century -- Bernds in fact started as a sound engineer at Columbia who worked on Frank Capra's 30s classics. Bernds and Ullmann toiled (profitably) in the world of B comedies and short subjects, working, in tandem or alone, on such fondly remembered endeavors as the the My Little Margie TV series, many Three Stooges shorts, some Blondie and Ma & Pa Kettle movies, and films starring Elvis, Brett Halsey, Zsa Zsa Gabor,Stanley Clements, Scotty Beckett (in a couple of Gasoline Alley pictures) and Rad Fulton.

They were fully aware of their place in the industry, and when they withdrew their Oscar nomination it wasn't for any self-serving reason but to spare the Academy any embarrassment when its writers branch screwed up so royally. As they said when they did so, the nomination "was clearly a case of mistaken identity." Ironically, although the MGM musical High Society is much better than the nominated Bowery Boys picture, I definitely prefer the best Bowery Boys films (Blues Busters, Blonde Dynamite, Live Wires, Bowery Bombshell) to the Charles Walters musical with Crosby, Kelly and SInatra.


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