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Hell's Island (1955)

Approved | | Adventure, Drama, Film-Noir | 6 May 1955 (USA)
Down-on-his-luck Mike Cormack is hired to fly to a Caribbean island to retrieve a missing ruby. On the island, possibly involved with the ruby's disappearance, is his ex-girlfriend.

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(written for the screen by), (story) | 1 more credit »
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Cast

Complete credited cast:
...
Mike Cormack
...
Janet Martin
Francis L. Sullivan ...
Barzland
Eduardo Noriega ...
Inspector Peña
...
Paul Armand
...
Lawrence
Sándor Szabó ...
Johann Torbig (as Sandor Szabo)
Pepe Hern ...
Lalo
...
Miguel - Houseboy
...
Eduardo Martin
Mario Siletti ...
Surgeon
Matty Fain ...
Pit Boss
Ralph Dumke ...
Casino Drunk
Lillian Molieri ...
Girl at Juke Box
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Storyline

Down-on-his-luck Mike Cormack is hired to fly to a Caribbean island to retrieve a missing ruby. On the island, possibly involved with the ruby's disappearance, is his ex-girlfriend.

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

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Release Date:

6 May 1955 (USA)  »

Also Known As:

Hell's Island  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Barzland: The young man requires persuading to talk.
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Connections

Referenced in Mau Mau Sex Sex (2001) See more »

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User Reviews

 
Maltese Falcon for the 50's
4 July 2015 | by (Claremont,USA) – See all my reviews

Looks like Paramount decided to make a version of The Maltese Falcon (1941), in Vista Vision, no less. Frankly, I would have preferred good old b&w for the noir material, but then who's going to leave their new-fangled 1955 TV for more b&w. The plot may be familiar— a ruthless spider woman tricks a fall guy for insurance money– but it's still slickly done. Then too, Payne grimaces appropriately as schemes unfold around him, while Murphy looks the part of a deadly bon-bon. Still, she lacks that inner spider dimension that Mary Astor revealed so tellingly in the original. And what about ex-wrestler Sandor Szabo as what else but a gruesome thug.

I had trouble following all the twists and turns of who did what to whom, but I guess it all got explained in the wrap. Too bad production didn't work in more raw evil since director Karlson can really make you feel it. No this is no Phenix City Story (1955) or Kansas City Confidential (1952), the culmination of Karlson's career, at least in my little book. But the results are still engaging, thanks to Payne, a sensually recumbent Murphy, and a fat guy not named Sydney Greenstreet.


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