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Guys and Dolls (1955)

Approved | | Comedy, Crime, Musical | 16 January 1956 (Brazil)
In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

Writers:

(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by) | 2 more credits »
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Popularity
2,184 ( 3,659)

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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Stubby Kaye ...
B.S. Pully ...
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Danny Dayton ...
Rusty Charlie (as Dan Dayton)
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Mary Alan Hokanson ...
Agatha
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Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Schwere Jungen, leichte Mädchen  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Director Joseph L. Mankiewicz had the highest praise for Michael Kidd's choreography. He was sceptical at first when Kidd wanted to stage the crap game as a big ballet, but the choreographer's unique conception and execution of the number impressed everyone when it was finally screened. See more »

Goofs

Just after the sewer crap game, Nathan tells Adelaide that green and white are the Whitney colors. C.V. Whitney colors are light blue with brown cap. John Hay Whitney raced the Greentree Stable's horses under flamingo and pink colors. See more »

Quotes

Sky Masterson: Look, the bells rang, they really rang. They weren't magical bells for lovers full of rum and music on a make-believe island; They rang to tell us what time it is.
See more »

Connections

Referenced in New York, New York (1977) See more »

Soundtracks

Exit Music
(1955) (uncredited)
Music and Lyrics by Frank Loesser
After the last end credit, the screen goes blank for about 2 minutes while the orchestra plays "Guys and Dolls" (sung by a chorus),
"A Woman in Love" and "Adelaide"
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Has Some Very Good Sequences; A Bit Uneven Overall
17 December 2004 | by (Ohio) – See all my reviews

Something of a mixed bag, the screen version of "Guys and Dolls" is worth seeing for the cast and for a number of very good sequences. Its main drawbacks are that it is rather uneven, and that there are too many times when the pace slows down, making it somewhat overlong.

The cast is good, although the performers do not always get the chance to use their abilities as fully as they could have. Frank Sinatra is always good in any singing role, but his character here does not give him much to work with aside from the songs. Marlon Brando and Jean Simmons were interesting choices. There are times when they work well, and other times when the material really doesn't suit them all that well.

The story is entertaining, yet slight, and is certainly not meant to be taken as anything more than a pretext for the musical numbers. The songs are good in general, with "Luck Be a Lady Tonight" as the highlight. Yet not all of them quite reach that standard, for one reason or another.

Overall, the movie is not bad, just not as much as you might hope for given who and what went into it. It's possible that this is simply a show that works better on stage, or it's possible that the movie could have been even better with a few improvements here and there.


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