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Guys and Dolls (1955)

Approved | | Comedy, Crime, Musical | 16 January 1956 (Brazil)
In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

Writers:

(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by) | 2 more credits »
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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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...
...
...
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Stubby Kaye ...
B.S. Pully ...
...
...
Danny Dayton ...
Rusty Charlie (as Dan Dayton)
...
Society Max
...
...
General Cartwright
...
Laverne
Mary Alan Hokanson ...
Agatha
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Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Schwere Jungen, leichte Mädchen  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

For the film, the lyrics to Vivian Blaine's musical number "Adelaide's Lament" have been changed from the original stage words. "When they get on the train for Niagara...and they get off at Saratoga for the fourteenth time!" have been altered to "they get off at Yonkers Racetrack..." This is because the quaint, historic Saratoga could be an equally romantic wedding destination, whereas Yonkers Racetrack can only be considered a gambling diversion. See more »

Goofs

When Nathan and Adelaide are in the restaurant, Adelaide sneezes and raises her hand to her nose. In the next shot, she is holding a handkerchief in her hand which wasn't there before. See more »

Quotes

Nicely Nicely Johnson: Nicely, nicely.
Sky Masterson: I didn't ask how you are.
Nicely Nicely Johnson: Don't.
See more »

Connections

Referenced in MGM Parade: Episode #1.8 (1955) See more »

Soundtracks

Follow the Fold
(1950) (uncredited)
Music and Lyrics by Frank Loesser
Played by the Mission Band and sung by them and Jean Simmons
Reprised by the Band outside of Mindy's restaurant
Reprised by the Band outside of a drugstore and sung by them and Marlon Brando
Reprised by the Band outside a bar
Reprised by the Band and sung by the gamblers at the Mission
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

"Ummm... Filled with such fun good fellowship..."- Nathan Detroit, "Guys and Dolls"
2 August 2004 | by (DC) – See all my reviews

"Guys and Dolls" is a thoroughly enjoyable example of musical comedy at its very best. The acting is impeccable, and what's more, almost believable (for a musical at least), the singing is pretty decent (well, Marlon Brando is another story, but I'll get to that) and the whole thing is just so amusing and entertaining that you'll be singing the tunes and quoting the lines long after you've finished watching it. Critics and viewers seem to sometimes have a difficult time with taking the film too seriously, by this I mean that a) Marlon Brando was not cast because of his singing voice (which was admittedly not good, but bearable), I like to think it was because he had irresistible charm, b) the whole premise is so unbelievable, to which I say, "name me a musical that IS wholly believable", and c) the movie moves too slowly, which is patently absurd, unless one does not have a taste for the slower pace of old movies and long, well articulated dance numbers, and romantic love scenes. This film pre-dates my existence by some 3 decades, but it still manages to rank among my very favorite pieces of movie-making and is an absolute must-see for musical and non-musical fans alike. 10/10


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