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All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by
Syam Gadde <firstname.lastname@example.org>
Samuel Goldwyn was so pleased with Marlon Brando's behavior on-screen and off-screen for this film that he rewarded him with a brand new white Thunderbird, which Brando immediately began racing around the streets. In return, Brando went against his usual practice and agreed to do substantial publicity for the picture. However, his good intentions were short-lived and after some initial appearances on behalf of the film, he eventually refused to do any additional promotion, stating, "I've done enough for that white Thunderbird." See more »
When Sky and Sarah are singing a duet while in Cuba, Sarah throws Sky's necktie over the side of his face. A moment later, Sky is removing the tie from the front of his face. See more »
As much as I like this film I can still see the missed opportunities. It does work, Brando has a certain charm as Sky Masterson but be honest, he cant really do justice to the multitude of classic songs he has got. This is where the dilemma lies. Sinatra is a fantastic Nathan Detroit, but he doesnt get many songs. Sinatra could easily play both roles but Brando would not make a good Detroit. However getting these to together in a film as well as the unlikely opportunity of getting Brando singing and dancing in a musical (!!!) is its saving grace. Any other actor and it may have seemed as bizarre as it really was. However its carried off with style. Its lunacy is its backbone, heres an established "serious" actor crooning and dancing, while the serious singer acts more than he sings. Its not often you see Sinatra taking a back seat; albeit reluctantly! A great film for what it is, but if it had been given to a musical director I think it would have been in a completely different league.
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