Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by
Syam Gadde <email@example.com>
The original Broadway production of "Guys and Doll" opened at the 26th Street Theater on November 24, 1950, ran for 1200 performances and won the 1951 Tony Award (New York City) for the Best Musical. Vivian Blaine, Stubby KayeB.S. Pully and Johnny Silver recreated their stage roles in the movie version. See more »
When Nathan and Adelaide are in the restaurant, Adelaide sneezes and raises her hand to her nose. In the next shot, she is holding a handkerchief in her hand which wasn't there before. See more »
Yes, its the one where the gamblers find a sort of redemption in their dolls after much singing and dancing and stuff. Maybe. This film seems to have lived alongside me for years - round exam time, through getting ditched, you name it. Sister Sarah and Sky and Nathan and Miss Adelaide and their chums were always there with those great Loesser melodies. Top of the tree is the Luck Be A Lady number which Brando puts across quite nicely, despite hardly being a singer. His great charm makes him a very good Sky. The scenes in Havana are hilarious and Vivian Blaine back at the club gives good value in her two big stage numbers. Looks like it belongs in a theatre, this film, but I bet you remember the tunes and huge chunks of the dialogue for a long time afterwards.
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