In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.
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A performer and gambler travels to New York City to raise the $25,000 he needs to marry his fiancée, only to become entangled with a beautiful aspiring dancer.
A successful song-and-dance team become romantically involved with a sister act and team up to save the failing Vermont inn of their former commanding general.
Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.
Director:
Vincente Minnelli
Stars:
Leslie Caron,
Maurice Chevalier,
Louis Jourdan
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by
Syam Gadde <gadde@cs.duke.edu>
The songs "A Woman in Love", "Pet Me Poppa" and "Adelaide" were written for the screen version and were not in the original Broadway show. On Broadway, Nathan Detroit (Frank Sinatra) doesn't sing in the title song. That was added for the film to increase Sinatra's singing part. See more »
Goofs
Sky Masterson's handwriting on the back of the Bible verse card changes between shots. See more »
Quotes
Big Jule:
Well, I used to be bad when I was a kid, but ever since then I've gone straight, as has been proved by my record: Thirty-three arrests and no convictions!
See more »
"A Woman in Love"
(1950) (uncredited)
Music and Lyrics by Frank Loesser
Played during the opening credits and sung by an offscreen chorus
Reprised in Spanish by an unidentified man in Havana
Played by the band in the Havana restaurant
Sung by Renee Renor in the Havana restaurant
Danced by patrons of the restaurant, including Marlon Brando and Jean Simmons
Sung by Marlon Brando and Jean Simmons back in New York
Played as background music at the wedding See more »
It almost seems like they went out of their way to muck up this film as best they could. First they dropped several great songs from the original score ("Bushel And A Peck", "I've Never Been In Love Before", "More I Cannot Wish You", "Marry The Man Today") and replaced them with songs that are distinctly inferior. Then they badly miscast Marlon Brando in the lead (his one great moment in the film is when he delivers the line, "Dad, I've got cider in my ear!") and tampered with the ending, in effect eliminating the final punchline of the show.
But what makes "Guys And Dolls" ultimately different from other Broadways shows mucked up by the movies is that the parts that are great elevate the film so much that you can be charitable for the mistakes made. Jean Simmons' lack of vocal training hurts "I'll Know" but she redeems herself wonderfully on "If I Were A Bell" and gives a great performance overall as Sister Sarah Brown. And thank goodness Stubby Kaye's memorable "Sit Down You're Rocking The Boat" was transferred intact. Great sets and other supporting characters also help too.
17 of 28 people found this review helpful.
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It almost seems like they went out of their way to muck up this film as best they could. First they dropped several great songs from the original score ("Bushel And A Peck", "I've Never Been In Love Before", "More I Cannot Wish You", "Marry The Man Today") and replaced them with songs that are distinctly inferior. Then they badly miscast Marlon Brando in the lead (his one great moment in the film is when he delivers the line, "Dad, I've got cider in my ear!") and tampered with the ending, in effect eliminating the final punchline of the show.
But what makes "Guys And Dolls" ultimately different from other Broadways shows mucked up by the movies is that the parts that are great elevate the film so much that you can be charitable for the mistakes made. Jean Simmons' lack of vocal training hurts "I'll Know" but she redeems herself wonderfully on "If I Were A Bell" and gives a great performance overall as Sister Sarah Brown. And thank goodness Stubby Kaye's memorable "Sit Down You're Rocking The Boat" was transferred intact. Great sets and other supporting characters also help too.