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Guys and Dolls (1955)

Approved  |   |  Comedy, Musical, Romance  |  16 January 1956 (Brazil)
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Ratings: 7.3/10 from 11,379 users  
Reviews: 130 user | 52 critic

In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.


(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by), 3 more credits »
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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »



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Cast overview, first billed only:
Robert Keith ...
Stubby Kaye ...
B.S. Pully ...
Big Jule (as B. S. Pully)
Danny Dayton ...
Rusty Charlie (as Dan Dayton)
Society Max
Kathryn Givney ...
General Cartwright
Veda Ann Borg ...
Mary Alan Hokanson ...


All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis

Plot Keywords:

mission | gambler | craps | bet | sinner | See All (112) »


Approved | See all certifications »

Parents Guide:





Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Schwere Jungen, leichte Mädchen  »

Box Office


$5,500,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)


(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
See  »

Did You Know?


The songs "A Woman in Love", "Pet Me Poppa" and "Adelaide" were written for the screen version and were not in the original Broadway show. On Broadway, Nathan Detroit (Frank Sinatra) doesn't sing in the title song. That was added for the film to increase Sinatra's singing part. See more »


Just after the sewer crap game, Nathan tells Adelaide that green and white are the Whitney colors. C.V. Whitney colors are light blue with brown cap. John Hay Whitney raced the Greentree Stable's horses under flamingo and pink colors. See more »


Nathan Detroit: [to Nicely and Benny] Take Adelaide to the Hot Box. In a cab.
Miss Adelaide: But it's only a couple of blocks.
Nathan Detroit: The streets are covered with tourists and I do not want you molested.
See more »


If I Were a Bell
(1950) (uncredited)
Music and Lyrics by Frank Loesser
Sung by Jean Simmons
See more »

Frequently Asked Questions

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User Reviews

"Ummm... Filled with such fun good fellowship..."- Nathan Detroit, "Guys and Dolls"
2 August 2004 | by (DC) – See all my reviews

"Guys and Dolls" is a thoroughly enjoyable example of musical comedy at its very best. The acting is impeccable, and what's more, almost believable (for a musical at least), the singing is pretty decent (well, Marlon Brando is another story, but I'll get to that) and the whole thing is just so amusing and entertaining that you'll be singing the tunes and quoting the lines long after you've finished watching it. Critics and viewers seem to sometimes have a difficult time with taking the film too seriously, by this I mean that a) Marlon Brando was not cast because of his singing voice (which was admittedly not good, but bearable), I like to think it was because he had irresistible charm, b) the whole premise is so unbelievable, to which I say, "name me a musical that IS wholly believable", and c) the movie moves too slowly, which is patently absurd, unless one does not have a taste for the slower pace of old movies and long, well articulated dance numbers, and romantic love scenes. This film pre-dates my existence by some 3 decades, but it still manages to rank among my very favorite pieces of movie-making and is an absolute must-see for musical and non-musical fans alike. 10/10

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