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Guys and Dolls (1955)

7.3
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Ratings: 7.3/10 from 10,590 users  
Reviews: 130 user | 49 critic

In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

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(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by), 3 more credits »
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Title: Guys and Dolls (1955)

Guys and Dolls (1955) on IMDb 7.3/10

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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Robert Keith ...
Stubby Kaye ...
B.S. Pully ...
Big Jule (as B. S. Pully)
...
...
Danny Dayton ...
Rusty Charlie (as Dan Dayton)
...
Society Max
...
Kathryn Givney ...
General Cartwright
Veda Ann Borg ...
Laverne
Mary Alan Hokanson ...
Agatha
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Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis

Plot Keywords:

gambler | craps | bet | song | police | See All (86) »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Eles e Elas  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Marlon Brando had been cast in the role of Sky Masterson, a role coveted by Frank Sinatra, while Sinatra was relegated to the supporting role of Nathan Detroit. Relations between the two actors were strained during production. Many years later, Brando said of Sinatra, "Frank's the kind of guy who, when he gets to Heaven, is going to give God a hard time for making him bald." See more »

Goofs

While Sky and Nathan are talking in the restaurant and Nathan is trying to get Sky to eat some cheese cake, a man walking in the street outside disappears and a woman walks past in his place. See more »

Quotes

Arvide Abernathy: And I never saw until now how much in love with him you are.
Sergeant Sarah Brown: I'll get over it.
Arvide Abernathy: Why would anyone want to get over the one thing you hope for from the minute you're born and remember until the day you die?
Sergeant Sarah Brown: I'll get over it.
Arvide Abernathy: Why? Because it's the greatest reward that woman or man can have on this earth? To love and to be loved?
See more »

Connections

Referenced in Boston Legal: Guise 'n Dolls (2007) See more »

Soundtracks

I've Never Been In Love Before
(1950) (uncredited)
Music and Lyrics by Frank Loesser
In the score as background music while Nathan and Adelaide argue in her dressing room
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Times Square according to Damon Runyon
17 February 2005 | by (New York) – See all my reviews

Damon Runyon's world of Times Square, in New York, prior to its Disneyfication, is the basis for this musical. Joseph L. Mankiewicz, a man who knew about movies, directed this nostalgic tribute to the "crossroads of the world" that show us that underside of New York of the past. Frank Loesser's music sounds great. We watch a magnificent cast of characters that were typical of the area. People at the edges of society tended to gravitate toward that area because of the lights, the action, the possibilities in that part of town. This underbelly of the city made a living out of the street life that was so intense.

Some of the songs from the original production were not included in the film. We don't know whether this makes sense, but this is not unusual for a Hollywood musical to change and alter what worked on the stage. That original cast included the wonderful Vivian Blaine and Stubby Kaye, and we wonder about the decision of not letting Robert Alda, Sam Levene, Isabel Bigley repeat their original roles. These were distinguished actors that could have made an amazing contribution.

The film, visually, is amazing. The look follows closely the fashions of the times. As far as the casting of Marlon Brando, otherwise not known for his singing abilities, Frank Sinatra and Jean Simmons, seem to work in the film. Sky Masterson is, after all, a man's man, who would look otherwise sissy if he presented a different 'look'. Frank Sinatra is good as Nathan Detroit. Jean Simmons, as Sarah Brown, does a nice job portraying the woman from the Salvation Army who suddenly finds fulfillment with the same kind of man she is trying to save.

Vivian Blaine is a delight. She never ceases to amaze as Miss Adelaide, a woman with a heart of gold who's Nathan Detroit's love interest. Ms. Blaine makes a fantastic impression as the show girl who is wiser than she lets out to be. Stubby Kaye makes a wonderful job out of reprising his Nicely Nicely Johnson.

The wonderful production owes a lot to the talented Abe Burrows, who made the adaptation to the screen. The costumes by Irene Sharaff set the right tone.


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