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Guys and Dolls (1955)

7.3
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Ratings: 7.3/10 from 10,251 users  
Reviews: 127 user | 46 critic

In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

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(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by), 3 more credits »
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Title: Guys and Dolls (1955)

Guys and Dolls (1955) on IMDb 7.3/10

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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Robert Keith ...
Stubby Kaye ...
B.S. Pully ...
...
...
Danny Dayton ...
Rusty Charlie (as Dan Dayton)
...
Society Max
...
Kathryn Givney ...
General Cartwright
Veda Ann Borg ...
Laverne
Mary Alan Hokanson ...
Agatha
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Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis

Plot Keywords:

gambler | craps | bet | song | police | See All (86) »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Eles e Elas  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

The last film appearance with the final group of The Goldwyn Girls (uncredited). See more »

Goofs

When Nathan and Adelaide are in the restaurant, Adelaide sneezes and raises her hand to her nose. In the next shot, she is holding a handkerchief in her hand which wasn't there before. See more »

Quotes

Nathan Detroit: [singing] What's playing at the Roxy? I'll tell you what's playing at the Roxy. Picture about a Minnesota man so in love with a Mississippi girl that he sacrifices everything and moves all the ways to Biloxi. That's what's playing at the Roxy.
Benny Southstreet: [singing] What's in the daily news? I'll tell you what's in the daily news. Story about a guy who bought his wife a small ruby with what otherwise would have been his union dues. That's what's in the daily news.
Nicely Nicely Johnson: [singing] What's happening all over? I'll tell...
[...]
See more »

Connections

Referenced in New York, New York (1977) See more »

Soundtracks

Overture
(1950) (uncredited)
Music and Lyrics by Frank Loesser
Played after the opening credits with scenes in New York
Contains variations of the songs "Luck Be a Lady", "The Oldest Established", and "Fugue for Tinhorns"
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

The Best Parts Still Shine
4 September 1999 | by (Morristown, NJ) – See all my reviews

It almost seems like they went out of their way to muck up this film as best they could. First they dropped several great songs from the original score ("Bushel And A Peck", "I've Never Been In Love Before", "More I Cannot Wish You", "Marry The Man Today") and replaced them with songs that are distinctly inferior. Then they badly miscast Marlon Brando in the lead (his one great moment in the film is when he delivers the line, "Dad, I've got cider in my ear!") and tampered with the ending, in effect eliminating the final punchline of the show.

But what makes "Guys And Dolls" ultimately different from other Broadways shows mucked up by the movies is that the parts that are great elevate the film so much that you can be charitable for the mistakes made. Jean Simmons' lack of vocal training hurts "I'll Know" but she redeems herself wonderfully on "If I Were A Bell" and gives a great performance overall as Sister Sarah Brown. And thank goodness Stubby Kaye's memorable "Sit Down You're Rocking The Boat" was transferred intact. Great sets and other supporting characters also help too.


18 of 29 people found this review helpful.  Was this review helpful to you?

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