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Guys and Dolls (1955)

7.3
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Ratings: 7.3/10 from 9,668 users  
Reviews: 124 user | 43 critic

In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

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(based upon the play: "Guys and Dolls" book by), (based upon the play: "Guys and Dolls" book by), 3 more credits »
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Title: Guys and Dolls (1955)

Guys and Dolls (1955) on IMDb 7.3/10

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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Robert Keith ...
Stubby Kaye ...
B.S. Pully ...
Big Jule (as B. S. Pully)
...
...
Danny Dayton ...
Rusty Charlie (as Dan Dayton)
...
Society Max
...
Kathryn Givney ...
General Cartwright
Veda Ann Borg ...
Laverne
Mary Alan Hokanson ...
Agatha
Edit

Storyline

All the hot gamblers are in town, and they're all depending on Nathan Detroit to set up this week's incarnation of "The Oldest Established Permanent Floating Crap Game in New York"; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who's short on sinners at the mission she runs; Sky Masterson, who accepts Nathan's $1000 bet that he can't get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you've got quite a musical. Includes the songs: Fugue for Tinhorns, "Luck Be a Lady", "Sit Down, You're Rocking the Boat". Written by Syam Gadde <gadde@cs.duke.edu>

Plot Summary | Add Synopsis

Plot Keywords:

gambler | craps | bet | mission | police | See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 January 1956 (Brazil)  »

Also Known As:

Guys and Dolls  »

Box Office

Budget:

$5,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (with overture and exit music)

Sound Mix:

(Western Electric Sound System) (magnetic prints)| (optical prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

The song "(I Love You) a Bushel and a Peck", featured in the stage show but cut from the movie, was a recording hit for numerous artists, including a duet between Perry Como and Betty Hutton. See more »

Goofs

When Nathan and Adelaide are in the restaurant, Adelaide sneezes and raises her hand to her nose. In the next shot, she is holding a handkerchief in her hand which wasn't there before. See more »

Quotes

Lieutenant Brannigan: What brings all these senior delinquents together?
Nathan Detroit: They got lonely. How am I supposed to know?
Lieutenant Brannigan: And why are they all wearing red carnations?
Nathan Detroit: They are also all wearing pants.
See more »

Connections

Referenced in Hollywood Ending (2002) See more »

Soundtracks

Luck Be a Lady
(1950) (uncredited)
Music and Lyrics by Frank Loesser
Danced by the gamblers in the sewer
Sung and danced by Marlon Brando and the gamblers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Times Square according to Damon Runyon
17 February 2005 | by (New York) – See all my reviews

Damon Runyon's world of Times Square, in New York, prior to its Disneyfication, is the basis for this musical. Joseph L. Mankiewicz, a man who knew about movies, directed this nostalgic tribute to the "crossroads of the world" that show us that underside of New York of the past. Frank Loesser's music sounds great. We watch a magnificent cast of characters that were typical of the area. People at the edges of society tended to gravitate toward that area because of the lights, the action, the possibilities in that part of town. This underbelly of the city made a living out of the street life that was so intense.

Some of the songs from the original production were not included in the film. We don't know whether this makes sense, but this is not unusual for a Hollywood musical to change and alter what worked on the stage. That original cast included the wonderful Vivian Blaine and Stubby Kaye, and we wonder about the decision of not letting Robert Alda, Sam Levene, Isabel Bigley repeat their original roles. These were distinguished actors that could have made an amazing contribution.

The film, visually, is amazing. The look follows closely the fashions of the times. As far as the casting of Marlon Brando, otherwise not known for his singing abilities, Frank Sinatra and Jean Simmons, seem to work in the film. Sky Masterson is, after all, a man's man, who would look otherwise sissy if he presented a different 'look'. Frank Sinatra is good as Nathan Detroit. Jean Simmons, as Sarah Brown, does a nice job portraying the woman from the Salvation Army who suddenly finds fulfillment with the same kind of man she is trying to save.

Vivian Blaine is a delight. She never ceases to amaze as Miss Adelaide, a woman with a heart of gold who's Nathan Detroit's love interest. Ms. Blaine makes a fantastic impression as the show girl who is wiser than she lets out to be. Stubby Kaye makes a wonderful job out of reprising his Nicely Nicely Johnson.

The wonderful production owes a lot to the talented Abe Burrows, who made the adaptation to the screen. The costumes by Irene Sharaff set the right tone.


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