Gojira no gyakushû (1955)

Director:

Motoyoshi Oda

Writers:

Shigeaki Hidaka (writer)
Shigeru Kayama (novel)

Release Date:

21 May 1959 (USA)

Genre:

Action | Drama | Horror | Romance | Sci-Fi

Plot:

Godzilla battles an irradiated Ankylosaur and destroys Osaka in the process.

Plot Keywords:

Monster | Godzilla | Pilot | Fishing | Giant Monster

Cast

Hiroshi Koizumi	...	Shoichi Tsukioka
Setsuko Wakayama	...	Hidemi Yamaji
Minoru Chiaki	...	Kôji Kobayashi
Takashi Shimura	...	Kyohei Yamane-hakase
Masao Shimizu	...	Zoologist Dr. Tadokoro
Seijiro Onda	...	Captain Terasawa of Osaka Defense Corps
Sonosuke Sawamura	...	Hokkaido Branch Manager Shingo Shibeki
Yoshio Tsuchiya	...	Tajima, Member of Osaka Defense Corps
Mayuri Mokusho	...	Radio Operator Yasuko Inouye
Minosuke Yamada	...	Chief of Civil Defense
Yukio Kasama	...	Koehi Wamaji, President of the Fishery
Senkichi Ômura	...	Small Escaped Convict
Ren Yamamoto	...	Commander of Landing Craft
Shin Otomo	...	Convict Leader
Takeo Oikawa	...	Osaka Municipal Police Commissioner

Also Known As:

Counterattack of the Monsters (USA) (promotional title)
Fire Monster
Gigantis
Gigantis the Fire Monster (USA)
Godzilla Raids Again (USA) (video title)
Godzilla's Counter Attack (International: English title) (literal title)
Gojira Strikes Again
Gojira's Counterattack
The Return of Godzilla
The Volcano Monster

Runtime:

82 min | USA:78 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

West Germany:12 (nf)

Company:

Toho Company

Trivia:

There have been two different stories as to why Godzilla's name was changed to "Gigantis" in the American version: - Warner Brothers could not get permission to use Godzilla from Joseph E. Levine and had to change the name to "Gigantis". - In an interview, Paul Schreibman, the producer of the American version, said that he changed Godzilla's name to "Gigantis" to give the audience the impression that they were seeing a new monster. He has since regretted that decision.

Goofs:

Revealing mistakes: In the shot where a few people are washed away in a flood in an underground-station, they appear to be transparent, as their images were apparently printed upon the background where the flood was actually filmed.

Quotes:

[last line; Japanese version]
Shoichi Tsukioka: Kobayashi... we beat Godzilla for you.

Movie Connections:

Referenced in Gojira: Fainaru uôzu (2004)

Classic Japanese monster film

The Two pilots Kobayashi and Tsukioka must land on a remote Pacific Island and become witnesses of the fight between two giant monsters. After the battle, they both disappear into the ocean. Tsukioka informs scientists (including Dr. Yamane from the first "Godzilla" film) and the army about Godzilla and an unknown monster that looks like a prehistoric Ankylosaurus. The new monster therefor is named Angilas. Meanwhile, some bandits escape near Osaka and cause a car crash that is followed by large explosions. The fire attracts Godzilla to Osaka. The Japanese army tries to stop the monster using tanks, missiles and the air force. Then Angilas shows up too! The two monsters fight each other in the middle of the city in a brutal battle which is won by Godzilla. In order to stop him, the Osaka Defense Corps (and the two friends Kobayashi and Tsukioka) follow Godzilla to a snowy island near Hokkaido in northern Japan. Many pilots die in the final battle against the monster, as the army tries to cause an avalanche to bury Godzilla...

This is the little-known second film of the legendary Japanese Godzilla series, and the last that was filmed in black & white. It lacks, of course, most of the metaphoric meaning the first film had and is just a very entertaining, classic monster movie. The beautiful music score was composed by Masaru Satô, the favourite composer of Akira Kurosawa. It sounds a bit like a softer version of Akira Ifukube's great theme music for the first film. Like in the first "Godzilla", the black & white photography adds to the plausibility of the special effects, therefor they work really good most of the time. Probably the biggest problem with the effects is that the monsters move by far too fast in their fight scenes. But fortunately "Gojira no gyakushû" was the only Japanese monster movie ever to use this technique. Please note that this commentary is based on the original, uncut Japanese version of the film which really is the ONLY way to see it!! The American version is badly dubbed, has half of the movie cut out, inserts new scenes that don't make ANY sense, and has special effects footage stolen from other movies... it's just total crap. Everybody who is interested in seeing this film should look for the Japanese version, it's definitely worth the effort. Unfortunately, it is probably very hard to find. Despite the success of the film in Japan, the next "Godzilla" movie was not made for seven years.