On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ... See full summary »
In 1848 NYC, a Frenchwoman visits exiled former French Marshal Thevenet to ask for his financial help in behalf of his French grandson but Thevenet's house staff schemes to kill him and take his fortune.
Mrs. Dubedat loves and idolizes her artist husband, Louis, but he is dying of tuberculosis. She goes to a doctor and convinces him to save her husband. The doctor can keep only so many ... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
In a small pleasant European village, there is one unhappy person: Ella. She is despised by everyone, and mistreated by her stepmother and stepsisters. Out feeling miserable one day, Ella meets a handsome young man, who falls for her. He is really Prince Charles, the son of the Duke, but he tells her he is the son of the cook, and invites her to a great ball at the Duke's castle. A strange woman who lives in the mountains by herself befriends Ella, and dresses her up so she can attend the ball. She goes, and is a great success, but must run out at midnight. In her haste, she drops a single glass slipper. The Prince uses the slipper to find her. Written by
John Oswalt <email@example.com>
Okay, I admit I have long had a soft spot for Michael Wilding--had a terrific crush on him when I was young and was delighted to see him in this film playing the Prince. He had a nice career going for himself in England before marrying Elizabeth and moving to the US. Hollywood didn't quite know what to do with him and he didn't have that many good or even likely roles here. In England he and Britain's favorite blonde, Anna Neagle, made several films in which she sang and the two of them danced (kind of a poor man's version of Rogers and Astaire), so he did dance in films before this picture, but I'm afraid he wasn't terrifically impressive as a dancer. But, boy, he had charm!
When I first saw this film I thought it was a bit simplistic, but I was won over by Leslie Caron, a favorite of mine. And it was gratifying to see Michael Wilding, though he didn't get to do much here. Loved Estelle Winwood; she too, was always good. Altogether a very pleasant movie, pretty to watch, if just a little slow. (Or maybe it seemed that way because with this story, there are no surprises--you know how it will end!)
2 of 2 people found this review helpful.
Was this review helpful to you?