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The Girl in the Red Velvet Swing (1955)

Approved  |   |  Biography, Crime, Drama  |  1 October 1955 (USA)
6.4
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Ratings: 6.4/10 from 548 users  
Reviews: 25 user | 6 critic

The Girl in the Red Velvet Swing is the true story of Evelyn Nesbit Shaw, a beautiful showgirl caught in a love triangle with elderly architect Stanford White and eccentric young millionaire Harry K. Thaw.

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Cast

Complete credited cast:
...
...
...
Harry Kendall Thaw
...
Delphin Delmas
Cornelia Otis Skinner ...
Mrs. Thaw
Glenda Farrell ...
Mrs. Nesbit
Frances Fuller ...
Mrs. Elizabeth White
Phillip Reed ...
Robert Collier (as Philip Reed)
Gale Robbins ...
Gwen Arden
James Lorimer ...
McCaleb
...
William Travers Jerome
Robert F. Simon ...
Stage Manager (as Robert Simon)
Harvey Stephens ...
Dr. Hollingshead DDS
Emile Meyer ...
Hunchbacher
Edit

Storyline

The Girl in the Red Velvet Swing is the true story of Evelyn Nesbit Shaw, a beautiful showgirl caught in a love triangle with elderly architect Stanford White and eccentric young millionaire Harry K. Thaw.

Plot Summary | Plot Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

1 October 1955 (USA)  »

Also Known As:

Das Mädchen auf der Samtschaukel  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (FMC Library Print)

Sound Mix:

(Western Electric Recording) (magnetic prints)| (optical prints)

Color:

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Before being put on suspension, Marilyn Monroe was 20th Century-Fox's original choice for the role of Evelyn Nesbit. She turned this film and a forthcoming adaptation of the then-current Broadway musical 'The Girl in Pink Tights' (which was to co-star Dan Dailey and 'Mitzi Gaynor') and was put on suspension. Sheree North was then announced as her replacement for both films until Joan Collins was eventually cast as Nesbit. 'Girl in Pink Tights' was eventually abandoned. See more »

Goofs

In a scene in a restaurant near the beginning of the movie, architect Stanford White receives a copy of Collier's magazine with a drawing of Evelyn Nesbit on the cover, drawn by Charles Dana Gibson. The scene takes place in 1901, but the famous drawing was not created by Gibson until 1905. See more »

Quotes

Mrs. Nesbit: I've seen more tears run down the pretty faces than the plain ones.
See more »

Connections

Referenced in Norma Jean & Marilyn (1996) See more »

Soundtracks

I Challenge You
(uncredited)
Music by Lionel Newman
Lyrics by Ken Darby
Sung on-stage by the theater ensemble
See more »

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User Reviews

 
Over-Stretched Eye Candy
28 March 2011 | by (Claremont,USA) – See all my reviews

This is a good example of an over-produced film, much too lengthy (109-min.) and gaudy for the slender material that doesn't engage until the last 10-minutes. I expect TCF saw anti-TV potential in a wide-screen Technicolor treatment of true-life scandal among the rich and famous. The trouble is that neither the acting nor the script is able to carry the needed momentum, despite the wide-screen spectacle. After all, stretching a single theme of forbidden love to a two-hour time slot is challenging even for the best screenplay, which this definitely is not.

Then too, the real life Nesbitt was apparently involved in the production, along with wealthy family heirs to White and Thaw in the background, resulting, I expect, in an overly cautious portrayal of events. That's reflected, I think, in Collins' curiously dull portrayal. Logically, I would have expected some change in Nesbitt's demure demeanor over the years, especially after entering the high life. Instead, there's hardly a hint of the high life's affecting her throughout the movie's course. (And we know what an edge actress Collins can bring when called upon.) In fact, the nature of her relationship with White is so sanitized, it's hard to know what to make of it.

Ace director Fleischer also appears unengaged with the material, filming it in straightforward, unimaginative style, unlike many of his other projects, e.g. The Narrow Margin (1952). Speaking of B-movie gems like "Margin", I wish the expert budget crews at Columbia or RKO had gotten hold of this material first. After all, hot-blooded romance and cold-blooded murder are prime stuff for B-movie treatment, where reputations and big audience appeal are not so much at stake and risks can be taken. Too bad that what we're left with instead is an under-nourished and over-stretched slice of 50's eye candy.


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