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Gentlemen Marry Brunettes (1955)

Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.

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Cast

Cast overview, first billed only:
...
Bonnie Jones / Mimi Jones
...
Connie Jones / Mitzi Jones
...
Charlie Biddle / Mrs. Biddle / Mr. Henry Biddle
...
David Action
...
Rudy Vallee
...
Earl of Wickenware
...
M. Ballard
Robert Favart ...
Hotel Manager
Guido Lorraine ...
M. Marcel
...
M. Dufond
Boyd Cabeen ...
Pilot
Howard Tracy ...
Chauffeur (as Edward Tracy)
Leonard Sachs ...
M. Dufy
Gini Young ...
Blonde
Carmen Nesbitt ...
Blonde
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Storyline

Two Broadway showgirls, who are also sisters, are sick and tired of New York as well as not getting nowhere. Quitting Broadway, the sisters decided to travel to Paris to become famous.

Plot Summary | Add Synopsis

Taglines:

See 'em sizzle in the big, buxom, beautiful musical!

Genres:

Comedy | Musical

Certificate:

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Details

Country:

Language:

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Release Date:

29 October 1955 (USA)  »

Also Known As:

So liebt man in Paris  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Not actually a sequel to Gentlemen Prefer Blondes (1953) since the film is about new characters in a completely different story line. See more »

Quotes

Connie Jones: Dreams? I'm having nightmares in CinemaScope!
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Connections

References Oklahoma! (1955) See more »

Soundtracks

Miss Annabelle Lee
Music and Lyrics by Sidney Clare and Louis Pollock
listed in opening credits
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User Reviews

 
An enjoyable mess
25 April 2016 | by (New York, NY) – See all my reviews

Hoped-for wide-screen follow-up to "Gentlemen Prefer Blondes," starring one of its stars, but it lacks the backing of a big studio, and how it shows. Jane Russell's the more Lorelei-like of the pair in this one, and she looks uncomfortable playing a ditz. Her fellow showgirl, a dubbed Jeanne Crain, is uninteresting, and the flaccid dialogue furnished her by Mary Loos is only part of the problem. The gals rush off to Paris, where they're wooed by broke agent Scott Brady and his seemingly broke pal Alan Young, and counseled by no less than Rudy Vallee playing himself, uneasily. He tells the gals about their elders, who were the wow of Paris 30 years ago, permitting several 1920s flashback production numbers. Having United Artists instead of 20th Century Fox behind this makes a difference, as does replacing a director of Howard Hawks's caliber with Richard Sale. And the score is mostly Rodgers and Hart standards, with only one new song. But hey, the Paris locations are lovely, the wardrobe screams 1955, and the lack of discipline can be fun. Where else will you see a production number built around "Ain't Misbehavin'", featuring Alan Young in a gorilla suit and a cannibal chorus? Some truly terrible ideas in this one, and some bad casting. And I had a very good time.


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