| Myron Healey | ... | John Dillinger (archive footage) | |
| Jean Harvey | ... | 'Ma' Barker (archive footage) | |
| Paul Dubov | ... | Alvin Karpis (archive footage) | |
| Sam Edwards | ... | Fred Barker (archive footage) | |
| Richard Crane | ... | Homer Van Meter (archive footage) | |
| Tamar Cooper | ... | Bonnie Parker (archive footage) | |
| Baynes Barron | ... | Clyde Barrow (archive footage) | |
| Doug Wilson | ... | Charles Arthur 'Pretty Boy' Floyd (archive footage) | |
| Jim Davis | ... | Police Captain Stewart / Narrator (archive footage) | |
| Lyle Talbot | ... | Dr. William Guellfe, Plastic Surgeon (archive footage) | |
| Sydney Mason | ... | Lieutenant Bill Baxter (archive footage) | |
| Lash La Rue | ... | 'Doc' Barker (archive footage) | |
| Ralph Moody | ... | Arthur 'Pa' Barker (archive footage) | |
| Jeanne Carmen | ... | Paula (archive footage) | |
| Ann Morriss | ... | Mildred Jaunce, The Lady in Red (archive footage) | |
| Aline Towne | ... | Shirley, Girl with Karpis (archive footage) | |
| Regina Gleason | ... | Hope (archive footage) | |
| Jeanne Bates | ... | Mrs. Ross Baxter (archive footage) | |
| Helen Van Tuyl | ... | Texas Lady Governor (archive footage) | |
| Knobby Schaeffer | ... | Adam Richetti (archive footage) (as 'Knobby' Schaefer) | |
| Russ Whitney | ... | Verne Miller (archive footage) (as Russell Whitney) | |
| Coulter Irwin | ... | FBI Agent Ross Baxter (archive footage) | |
| Robert Kendall | ... | Baby Face Nelson (archive footage) | |
| Sam Flint | ... | FBI Chief (archive footage) | |
| Bill Baldwin | ... | Special Agent Fenton / Narrator (archive footage) | |
| rest of cast listed alphabetically: | |||
| Robert Bice | ... | FBI Agent Tyler (archive footage) (uncredited) | |
| William Boyett | ... | FBI Agent on Pier (archive footage) (uncredited) | |
| Ray Boyle | ... | Raymond Hamilton (archive footage) (uncredited) | |
| Scott Douglas | ... | FBI Agent Clifton (archive footage) (uncredited) | |
| Darlene Fields | ... | Connie, Dillinger's Girl (archive footage) (uncredited) | |
| Dick Foote | ... | Prison Trustee (archive footage) (uncredited) | |
| Texas Joe Foster | ... | Tony Milento (archive footage) (uncredited) | |
| Joseph J. Greene | ... | Arthur Troser (archive footage) (uncredited) | |
| Billy Griffith | ... | Bucher (archive footage) (uncredited) | |
| Captain Frank Hamer | ... | Texas Ranger (archive footage) (uncredited) | |
| Harold 'Tommy' Hart | ... | Garageman (archive footage) (uncredited) | |
| Percy Helton | ... | Pool Room Proprietor (archive footage) (uncredited) | |
| Glenn Holden | ... | Dillinger's Jail Guard (archive footage) (uncredited) | |
| Florence Lake | ... | Bessie, the Landlady (archive footage) (uncredited) | |
| Hank Patterson | ... | Scully Wass (Farmer) (archive footage) (uncredited) | |
| Robert Vanselow | ... | John Hamilton (archive footage) (uncredited) | |
| Smoki Whitfield | ... | The Bootblack (archive footage) (uncredited) | |
Directed by | |||
| Richard C. Kahn | |||
| Bill Karn | |||
Writing credits(in alphabetical order) | ||
| William Faris | ||
| Phillips Lord | ||
Produced by | |||
| William Faris | .... | producer | |
| Terry Turner | .... | associate producer | |
Original Music by | |||
| Paul Dunlap | |||
Cinematography by | |||
| Clark Ramsey | |||
| Guy Roe | |||
| William H. Clothier | (uncredited) | ||
Film Editing by | |||
| Robert Sparr | (as Robert T. Sparr) | ||
Set Decoration by | |||
| Ted Driscoll | (as Theodore Driscoll) | ||
Production Management | |||
| Mack V. Wright | .... | production supervisor | |
Sound Department | |||
| Arthur B. Smith | .... | sound (as Art Smith) | |
Music Department | |||
| Paul Dunlap | .... | conductor | |
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| David Harding, Counterspy | Five Minutes to Live | Slaughter on Tenth Avenue | Stakeout on Dope Street | The Young Savages |
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| Full cast and crew | Company credits | IMDb Crime section |
| IMDb USA section |
The history of early-twentieth-century organized crime, and the response of law enforcement, narrated on the budget of a high-school sex-ed movie. Martin Scorsese recommended this movie as the ultimate exemplar of visual storytelling on a well-worn shoestring, and he knows whereof he speaks: even Sam Fuller never had to portray a shooting death by dissolving to stock footage of a firing gun.