IMDb > Guns Don't Argue (1957)

Guns Don't Argue (1957) More at IMDbPro »


Overview

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Down 15% in popularity this week. See why on IMDbPro.
Genre:
Tagline:
. . . and dead men don't talk!
Plot:
A composite of three re-edited episodes from the 1952 TV series, Gangbusters, released to theatres in 1957 as a feature film. Gang Busters (1954) was a similar effort. | Add synopsis »
User Reviews:
Grade-Z brilliance See more (5 total) »

Cast

  (in credits order)
Myron Healey ... John Dillinger (archive footage)
Jean Harvey ... 'Ma' Barker (archive footage)
Paul Dubov ... Alvin Karpis (archive footage)

Sam Edwards ... Fred Barker (archive footage)
Richard Crane ... Homer Van Meter (archive footage)
Tamar Cooper ... Bonnie Parker (archive footage)
Baynes Barron ... Clyde Barrow (archive footage)
Doug Wilson ... Charles Arthur 'Pretty Boy' Floyd (archive footage)
Jim Davis ... Police Captain Stewart / Narrator (archive footage)

Lyle Talbot ... Dr. William Guellfe, Plastic Surgeon (archive footage)
Sydney Mason ... Lieutenant Bill Baxter (archive footage)
Lash La Rue ... 'Doc' Barker (archive footage)
Ralph Moody ... Arthur 'Pa' Barker (archive footage)

Jeanne Carmen ... Paula (archive footage)
Ann Morriss ... Mildred Jaunce, The Lady in Red (archive footage)
Aline Towne ... Shirley, Girl with Karpis (archive footage)
Regina Gleason ... Hope (archive footage)
Jeanne Bates ... Mrs. Ross Baxter (archive footage)
Helen Van Tuyl ... Texas Lady Governor (archive footage)
Knobby Schaeffer ... Adam Richetti (archive footage) (as 'Knobby' Schaefer)
Russ Whitney ... Verne Miller (archive footage) (as Russell Whitney)
Coulter Irwin ... FBI Agent Ross Baxter (archive footage)
Robert Kendall ... Baby Face Nelson (archive footage)
Sam Flint ... FBI Chief (archive footage)
Bill Baldwin ... Special Agent Fenton / Narrator (archive footage)
rest of cast listed alphabetically:
Robert Bice ... FBI Agent Tyler (archive footage) (uncredited)
William Boyett ... FBI Agent on Pier (archive footage) (uncredited)
Ray Boyle ... Raymond Hamilton (archive footage) (uncredited)
Scott Douglas ... FBI Agent Clifton (archive footage) (uncredited)
Darlene Fields ... Connie, Dillinger's Girl (archive footage) (uncredited)

Dick Foote ... Prison Trustee (archive footage) (uncredited)
Texas Joe Foster ... Tony Milento (archive footage) (uncredited)
Joseph J. Greene ... Arthur Troser (archive footage) (uncredited)
Billy Griffith ... Bucher (archive footage) (uncredited)
Captain Frank Hamer ... Texas Ranger (archive footage) (uncredited)
Harold 'Tommy' Hart ... Garageman (archive footage) (uncredited)
Percy Helton ... Pool Room Proprietor (archive footage) (uncredited)
Glenn Holden ... Dillinger's Jail Guard (archive footage) (uncredited)
Florence Lake ... Bessie, the Landlady (archive footage) (uncredited)
Hank Patterson ... Scully Wass (Farmer) (archive footage) (uncredited)
Robert Vanselow ... John Hamilton (archive footage) (uncredited)
Smoki Whitfield ... The Bootblack (archive footage) (uncredited)
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Directed by
Richard C. Kahn 
Bill Karn 
 
Writing credits
(in alphabetical order)
William Faris 
Phillips Lord 

Produced by
William Faris .... producer
Terry Turner .... associate producer
 
Original Music by
Paul Dunlap 
 
Cinematography by
Clark Ramsey 
Guy Roe 
William H. Clothier (uncredited)
 
Film Editing by
Robert Sparr  (as Robert T. Sparr)
 
Set Decoration by
Ted Driscoll  (as Theodore Driscoll)
 
Production Management
Mack V. Wright .... production supervisor
 
Sound Department
Arthur B. Smith .... sound (as Art Smith)
 
Music Department
Paul Dunlap .... conductor
 

Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
92 min
Country:
Language:
Sound Mix:
Certification:

Did You Know?

Goofs:
Anachronisms: Though set in the 1930's, the films sets and costumes are all 1950's.See more »

FAQ

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2 out of 4 people found the following review useful.
Grade-Z brilliance, 30 May 1999
Author: matthew wilder (picqueur@aol.com) from los angeles

The history of early-twentieth-century organized crime, and the response of law enforcement, narrated on the budget of a high-school sex-ed movie. Martin Scorsese recommended this movie as the ultimate exemplar of visual storytelling on a well-worn shoestring, and he knows whereof he speaks: even Sam Fuller never had to portray a shooting death by dissolving to stock footage of a firing gun.

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