Set in the early '40s, a San Francisco prostitute is run out of town just as the second World War has begun to intensify. Mamie settles down in Hawaii, hoping to start a new life. Though ... See full summary »
Amanda Dartland accompanies her half-Apache husband Jonathan to a mining community where he will supervise the excavation of an almost mythical Apache treasure. His jealous rages and macho attitude cause her much misery, while the excavation project is threatened by prejudice and fear. Amanda tries to bridge the cultural gap, and Jonathan must do the same, or he will lose her. Mesmerizing brief performance by Celia Lovsky as Princess Saba. Written by
Molly Malloy <firstname.lastname@example.org>
This film was being shown in the theater of the ocean liner Andrea Doria, when she was struck (and consequently eventually sunk) by the liner Stockholm on 25-26 July, 1956. The film was interrupted by the collision. See more »
[Indicating, to a tour group, a gathering of young Apache boys on the Reservation]
A child here has little contact with his father who, in the old days, was usually away hunting. Today, the father is still much away. He works on the Reservation cattle range. As you see, the little boys play, and have few responsibilities. But there comes a day when they are twelve. Here is a little one, ready to leave his mother and go with the men. From now on, he will work and hunt with the men. Eat and live ...
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I loved it! J. Chandler's and J. Russell's characters have haunted me for 30 years.
For the era of filmmaking, I felt that the subject of racial/cultural discrimination was handled well. Also, the director/writer explored the character, Dartland's, self-loathing and fear of being rejected because of his Native-American heritage -- all this intermingled with his life that is based on secrets, the desire to belong to an acceptable social class, dealing with a flourishing career, and the strained marriage with Russell. Loved it!
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