In Shenandoah, Virginia, widower farmer Charlie Anderson lives a peaceful life with his six sons - Jacob, James, Nathan, John, Henry and Boy, his daughter Jennie, and his daughter-in-law ... See full summary »
When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam ... See full summary »
The US Army is under pressure from the desperate relatives of white prisoners of the Comanches to secure their rescue. A cynical and corrupt marshal, Guthrie McCabe, is persuaded by an army... See full summary »
In 1896, Jeff Webster sees the start of the Klondike gold rush as a golden opportunity to make a fortune in beef...and woe betide anyone standing in his way! He drives a cattle herd from Wyoming to Seattle, by ship to Skagway, and (after a delay caused by larcenous town boss Gannon) through the mountains to Dawson. There, he and his partner Ben Tatum get into the gold business themselves. Two lovely women fall for misanthropic Jeff, but he believes in every-man-for-himself, turning his back on growing lawlessness...until it finally strikes home. Written by
Rod Crawford <firstname.lastname@example.org>
One of James Stewart's favorite stories of his film career concerned his horse, Pie, a sorrel stallion whom Stewart called, "One of the best co-stars I ever had." Pie appeared as Stewart's horse in 17 Westerns, and the actor developed a strong personal bond with the horse. Pie was very intelligent, Stewart recalled, and would often "act for the cameras when they were rolling. He was a ham of a horse." When shooting the climax of "The Far Country," the script called for Stewart's horse to walk down a dark street alone, with no rider in the saddle, to fool the bad guys who were waiting to ambush Stewart. Assistant Director John Sherwood asked Stewart if Pie would be able to do the scene. Stewart replied, "I'll talk to him." Just before the cameras rolled, Stewart took Pie aside and whispered to the horse for several minutes, giving him instructions for the scene. When Stewart let the horse go, Pie walked perfectly down the middle of the street, doing the scene in one take. When Pie died in 1970, Stewart arranged to have the horse buried at his California ranch. See more »
The distance between Jeff's hand and his six-shooter on the bar between shots. See more »
[as he's being put in a jail cell, pending trial]
Say, will you ask the learned Monsieur Gannon to consider my case as quickly as possible?
I wouldn't crowd him, Doc. He figures you could've saved Gigi's hand.
But the bones were crushed! There was nothing but to amputate!
Yeah, maybe... But you sure ruined a good piano player.
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After "The End" a title card reads: We gratefully acknowledge the splendid cooperation extended to "The Far Country" cast and crew by all concerned at Jasper National Park, Alberta, Canada. See more »
A good film with--for its time--an intense, sprawling, rather dark story somewhat reminiscent of John Ford's "The Searchers" though not so brutal. The story starts fast and doesn't let up, with several scenes of really good dialog between (Stewart's) Jeff Webster, Ronda Castle and Sheriff Gannon. This film is in some ways reminiscent of "Bend of the River" (1952), also a Mann-Stewart work, but I found it far less sentimental and more interesting. There are a few caveats: a too-quickly wrapped up (and rather sentimental) ending; 24-year-old Corrine Calvert is not very convincing as a naive French teenager, and of course the film takes place in the Mythic West, a land of fable where the real laws of nations and physics don't apply. But these are trivial concerns. James Stewart is surprisingly good as a dark, disengaged man who thinks he cares for no one but himself, and the mountain scenery can't be beat. A fine Western costume drama.
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