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The Far Country (1954)

Approved | | Romance, Western | 20 August 1954 (Denmark)
A self-minded adventurer (Jeff Webster) locks horns with a crooked lawman (Mr. Gannon) while driving cattle to Dawson.

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Cast

Complete credited cast:
...
...
Ronda Castle
...
Renee Vallon
...
Ben Tatum
...
Gannon
...
Rube
...
Ketchum (as Henry Morgan)
...
Ives
Connie Gilchrist ...
Hominy
...
Madden (as Robert Wilke)
...
Dusty
...
Luke
...
Frank Newberry
...
Grits
Connie Van ...
Molasses
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Storyline

In 1896, Jeff Webster sees the start of the Klondike gold rush as a golden opportunity to make a fortune in beef...and woe betide anyone standing in his way! He drives a cattle herd from Wyoming to Seattle, by ship to Skagway, and (after a delay caused by larcenous town boss Gannon) through the mountains to Dawson. There, he and his partner Ben Tatum get into the gold business themselves. Two lovely women fall for misanthropic Jeff, but he believes in every-man-for-himself, turning his back on growing lawlessness...until it finally strikes home. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

Memorable in "THE GLENN MILLER STORY" and "REAR WINDOW"... now...as the Stranger with a Gun, driven by restless longings, challenging the Klondike's snow and sin and greed, where gold was the lure and the fanciest woman in Dawson, his for the taking! See more »

Genres:

Romance | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 August 1954 (Denmark)  »

Also Known As:

Je suis un aventurier  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

2.00 : 1
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Did You Know?

Trivia

One of James Stewart's favorite stories of his film career concerned his horse, Pie, a sorrel stallion whom Stewart called, "One of the best co-stars I ever had." Pie appeared as Stewart's horse in 17 Westerns, and the actor developed a strong personal bond with the horse. Pie was very intelligent, Stewart recalled, and would often "act for the cameras when they were rolling. He was a ham of a horse." When shooting the climax of "The Far Country," the script called for Stewart's horse to walk down a dark street alone, with no rider in the saddle, to fool the bad guys who were waiting to ambush Stewart. Assistant Director John Sherwood asked Stewart if Pie would be able to do the scene. Stewart replied, "I'll talk to him." Just before the cameras rolled, Stewart took Pie aside and whispered to the horse for several minutes, giving him instructions for the scene. When Stewart let the horse go, Pie walked perfectly down the middle of the street, to his trainer who was waiting with a sugar cube just out of camera range. He did the scene in one take. When Pie died in 1970, Stewart arranged to have the horse buried at his California ranch. See more »

Goofs

At about 19 minutes in Gannon slides a gun along a bar counter, after the camera cuts the gun points the other way. See more »

Quotes

Doc Vallon: [In a jail cell] Oh, the medical profession, it is most difficult in Alaska!
Jeff Webster: Oh, yeah? Why'd you come here?
Doc Vallon: Because, I'm going to Vienna!
See more »

Crazy Credits

After "The End" a title card reads: We gratefully acknowledge the splendid cooperation extended to "The Far Country" cast and crew by all concerned at Jasper National Park, Alberta, Canada. See more »

Connections

Referenced in American Masters: James Dean: Sense Memories (2005) See more »

Soundtracks

PRETTY LITTLE PRIMROSE
(uncredited)
Music by Milton Rosen
Lyrics by Frederick Herbert
Performed by Connie Gilchrist, Kathleen Freeman and Connie Van
See more »

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User Reviews

If it looks good, you're halfway there. Stewart is great, the plot routine but excellently routine...
31 August 2011 | by (United States) – See all my reviews

The Far Country (1954)

Anthony Mann and Jimmy Stewart made a few movies together, and one is a cool black and white affair, but this is one of his searing Technicolor productions. It almost has a comic flair even as the world is cut and splintered in the first twenty minutes until the real story begins--cattle driving in Alaska. Stewart of course plays a congenial sort, but his character Jeff Webster has a history of killing a couple men and having a little vengeance in his heart, and when he is coerced into this new job you know it isn't going to go smoothly.

This is an odd story told with an odd tilt to it, and that's a good thing overall. And it's set in Alaska (near the Yukon), which gives it more of a frontier/prospecting feel than a standard Western. In addition to Walter Brennan who is his usual quirky best, the leading woman is Ruth Roman, who had a career something short of stardom, and she plays a tough but elegant frontier woman well. And there is a perky younger women (a French actress named Corinne Calvet), a kind of tomboy who has the hots for Webster. It doesn't quite work, but it's fun, and it's part of the series of conflicts all operating at the same time.

There are some small flaws you have to overlook, like the day for night that is more day than night (which is only emphasized by some brilliant night filming at the end of the movie, night for night done to perfection). But there is a bigger tension that keeps things really interesting, too. Two extremes of women after one singular guy--that's enough for any movie. And there is the sheriff and judge and power-monger in town who is ruthless with a laugh and cackle, and he makes a great villain.

I'm not interested in movies for their scenery, but it's worth noticing the amazing mountain country that is the setting here. There are also the standard moments that don't really add to the plot, but to the mood--some barroom singing, some riding through the scenery. But what really makes the movie is Stewart's role as an individualist, a man who is looking after himself first and last. Brennan acts as his conscience, reminding him to be a good guy, and Stewart, to his credit, listens.

Heroics come slowly in a Mann Western. You suspect Webster is a good person deep down, but his goodness has a slow coming out. And in a way, even by the end, the ambiguity is there--it's the good townspeople who rise up and get their justice.

A good movie, a very good Western.


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