Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
In a dream-like sequence, a woman's eye is slit open--juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye--to grab the ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Alberto Medina is a very famous composer and is on a field trip when his car runs out of gas and goes downhill. While looking for help, he finds the Valverdes' house and is welcome by ... See full summary »
Rogelio A. González
Blanca de Castejón
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan... Written by
Michael Brooke <firstname.lastname@example.org>
The movie was shot in the middle of a big economic crisis for the Mexican cinema. Production was about to be shot down a few times and the famous scene with the mannequin being cremated was filmed only once because they couldn't afford another mannequin. See more »
Adapted from a mediocre novel by Mexican playwright Rodolfo Usigli (gladly the only one he wrote) "Ensayo de un Crimen" gathers several of the worst cinematographic moments issued from such an uneven filmmaker as Luis Buñuel. Its many clumsy aspects are generously distributed on all areas of its making: there is not a single actor that can deliver his/her lines without sounding like your average end-of-semester College play. The scenery and decor are elementary and full of anachronisms. To mention just one, in the initial flashback Archibaldo (as a young child) is playing in the 20's with a Lionel train from the 40-50's! Buñuel's directing job is plainly bad, even if he tries to embellish it with a couple of his famous "oniric" sequences that just don't work here.
Maybe the worst part of all is the script. There's not a single line that doesn't sound corny and forced. Here's to those who watched the film with the benefit of translated subtitles or dubbed into a foreign language: I envy you. In Spanish, the dialogs are plainly awful.
However, the most remarkable feature is the enormous amount of praise this unholy stinker has received during its 50 years of existence! Undoubtedly this shows that to most moviegoers and critics -moviegoers of the Summa cum Laude species, I guess- suppose that the sole name of a famous filmmaker must mean you're watching a work of art.
To this I must add that practically none of the movies that Buñuel filmed during his stay in Mexico is a true masterpiece. Even the celebrated "Los Olvidados" is sadly marred by an unabashed pamphlet scene extolling the social merits of the Juvenile Delinquent re-adaptation centers issued from the government of President Cárdenas. Maybe Buñuel considered necessary giving a little lick to the hand that was feeding him at the moment...
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