Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
A surrealist tale of a man and a woman who are passionately in love with one another, but their attempts to consummate that passion are constantly thwarted, by their families, the Church and bourgeois society.
Caridad de Laberdesque
A surrealistic film with input from Salvador Dalí, director Luis Buñuel presents stark, surrealistic images that shock the viewers including the slitting open of a woman's eye and a dead ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan... Written by
Michael Brooke <firstname.lastname@example.org>
Luis Buñuel and Rodolfo Usigli worked on a screenplay together but in less than 2 weeks their ways departed because Usigli didn't want any changes made to his novel and Buñuel wasn't interested in some elements of it and would drop them. See more »
Adapted from a mediocre novel by Mexican playwright Rodolfo Usigli (gladly the only one he wrote) "Ensayo de un Crimen" gathers several of the worst cinematographic moments issued from such an uneven filmmaker as Luis Buñuel. Its many clumsy aspects are generously distributed on all areas of its making: there is not a single actor that can deliver his/her lines without sounding like your average end-of-semester College play. The scenery and decor are elementary and full of anachronisms. To mention just one, in the initial flashback Archibaldo (as a young child) is playing in the 20's with a Lionel train from the 40-50's! Buñuel's directing job is plainly bad, even if he tries to embellish it with a couple of his famous "oniric" sequences that just don't work here.
Maybe the worst part of all is the script. There's not a single line that doesn't sound corny and forced. Here's to those who watched the film with the benefit of translated subtitles or dubbed into a foreign language: I envy you. In Spanish, the dialogs are plainly awful.
However, the most remarkable feature is the enormous amount of praise this unholy stinker has received during its 50 years of existence! Undoubtedly this shows that to most moviegoers and critics -moviegoers of the Summa cum Laude species, I guess- suppose that the sole name of a famous filmmaker must mean you're watching a work of art.
To this I must add that practically none of the movies that Buñuel filmed during his stay in Mexico is a true masterpiece. Even the celebrated "Los Olvidados" is sadly marred by an unabashed pamphlet scene extolling the social merits of the Juvenile Delinquent re-adaptation centers issued from the government of President Cárdenas. Maybe Buñuel considered necessary giving a little lick to the hand that was feeding him at the moment...
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