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An unstable young woman escapes from a reformatory for very, very wayward girls and deceptively finds shelter in the kind home of a frighteningly nice and decent family. Little by little, ... See full summary »
Víctor Manuel Mendoza
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin... See full summary »
A young man and woman's honeymoon is cut short when the man learns that his mother has fallen ill back at home. The newlywed couple rush there to discover the other sons neglecting their ... See full summary »
Luis Aceves Castañeda
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. ... See full summary »
After indulging in an affair with a man (a friend of the family) she truly loves, a woman returns to her young son and husband for good, and loses contact with the man. Her husband is ... See full summary »
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan... Written by
Michael Brooke <email@example.com>
Luis Buñuel and Rodolfo Usigli worked on a screenplay together but in less than 2 weeks their ways departed because Usigli didn't want any changes made to his novel and Buñuel wasn't interested in some elements of it and would drop them. See more »
Adapted from a mediocre novel by Mexican playwright Rodolfo Usigli (gladly the only one he wrote) "Ensayo de un Crimen" gathers several of the worst cinematographic moments issued from such an uneven filmmaker as Luis Buñuel. Its many clumsy aspects are generously distributed on all areas of its making: there is not a single actor that can deliver his/her lines without sounding like your average end-of-semester College play. The scenery and decor are elementary and full of anachronisms. To mention just one, in the initial flashback Archibaldo (as a young child) is playing in the 20's with a Lionel train from the 40-50's! Buñuel's directing job is plainly bad, even if he tries to embellish it with a couple of his famous "oniric" sequences that just don't work here.
Maybe the worst part of all is the script. There's not a single line that doesn't sound corny and forced. Here's to those who watched the film with the benefit of translated subtitles or dubbed into a foreign language: I envy you. In Spanish, the dialogs are plainly awful.
However, the most remarkable feature is the enormous amount of praise this unholy stinker has received during its 50 years of existence! Undoubtedly this shows that to most moviegoers and critics -moviegoers of the Summa cum Laude species, I guess- suppose that the sole name of a famous filmmaker must mean you're watching a work of art.
To this I must add that practically none of the movies that Buñuel filmed during his stay in Mexico is a true masterpiece. Even the celebrated "Los Olvidados" is sadly marred by an unabashed pamphlet scene extolling the social merits of the Juvenile Delinquent re-adaptation centers issued from the government of President Cárdenas. Maybe Buñuel considered necessary giving a little lick to the hand that was feeding him at the moment...
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