Just after boarding a train, much to the surprise of his fellow passengers, a man pours a bucket of water over a young girl on the platform. Over the next few hours he explains (and we see ... See full summary »
One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
In a dream-like sequence, a woman's eye is slit open--juxtaposed with a similarly shaped cloud obsucuring the moon moving in the same direction as the knife through the eye--to grab the ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Alberto Medina is a very famous composer and is on a field trip when his car runs out of gas and goes downhill. While looking for help, he finds the Valverdes' house and is welcome by ... See full summary »
Rogelio A. González
Blanca de Castejón
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan... Written by
Michael Brooke <email@example.com>
Luis Buñuel and Rodolfo Usigli worked on a screenplay together but in less than 2 weeks their ways departed because Usigli didn't want any changes made to his novel and Buñuel wasn't interested in some elements of it and would drop them. See more »
Perhaps my favorite of Buñuel's Mexican years. As a child, Archibaldo de la Cruz willed the death of his young, sexy nanny through the device of a magical music box. As an adult, he finds this box at a pawn shop, and it awakens the exciting feelings he had as he stood over the corpse of his nanny checking out her exposed thigh. He decides to become a serial killer, but it never quite works out that way. Every person he sets out to kill ends up being murdered by another's hand. Actually, I shouldn't say "person," as Archibaldo's violent emotions only arise towards women. There is some heavy Catholic symbology to the picture, and the violence towards women obviously arises from the twisted mores of Catholicism. His first intended victim as an adult, for example, is a brazen tramp who openly expresses her wish to seduce him to get back at her husband. Buñuel had perhaps the most impeccable sense for creating finales, and the one here is as odd and remarkable as any other. Watch the two actions Archibaldo performs with his cane. I'm not 100% sure what they signify, but I know that must be of the utmost importance. Ensayo de un crimen should be watched back to back with Buñuel's 1953 film, Él, also about a man being driven insane over his wife because of his strict religious beliefs. 10/10.
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