A surrealist tale of a man and a woman passionately in love with one another, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
A surrealistic film with input from Salvador Dalí. Director Luis Buñuel presents stark, surrealistic images including the slitting open of a woman's eye and a dead horse being pulled along ... See full summary »
Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to ... See full summary »
Arturo de Córdova,
Alberto Medina is a very famous composer and is on a field trip when his car runs out of gas and goes downhill. While looking for help, he finds the Valverdes' house and is welcome by ... See full summary »
Rogelio A. González
Blanca de Castejón
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
A bizarre black comedy about a man whose overwhelming ambition in life is to be a renowned serial killer of women, and will stop at nothing to achieve it - but not everything goes according to plan... Written by
Michael Brooke <email@example.com>
The movie was shot in the middle of a big economic crisis for the Mexican cinema. Production was about to be shot down a few times and the famous scene with the mannequin being cremated was filmed only once because they couldn't afford another mannequin. See more »
Perhaps my favorite of Buñuel's Mexican years. As a child, Archibaldo de la Cruz willed the death of his young, sexy nanny through the device of a magical music box. As an adult, he finds this box at a pawn shop, and it awakens the exciting feelings he had as he stood over the corpse of his nanny checking out her exposed thigh. He decides to become a serial killer, but it never quite works out that way. Every person he sets out to kill ends up being murdered by another's hand. Actually, I shouldn't say "person," as Archibaldo's violent emotions only arise towards women. There is some heavy Catholic symbology to the picture, and the violence towards women obviously arises from the twisted mores of Catholicism. His first intended victim as an adult, for example, is a brazen tramp who openly expresses her wish to seduce him to get back at her husband. Buñuel had perhaps the most impeccable sense for creating finales, and the one here is as odd and remarkable as any other. Watch the two actions Archibaldo performs with his cane. I'm not 100% sure what they signify, but I know that must be of the utmost importance. Ensayo de un crimen should be watched back to back with Buñuel's 1953 film, Él, also about a man being driven insane over his wife because of his strict religious beliefs. 10/10.
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