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The End of the Affair (1955)

In wartorn London Maurice Bendrix falls in love with neighbor Sarah Miles. They begin an illicit romance behind Sarah's husband's back. While war does not last forever, neither does love in... See full summary »

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(from the novel by), (screenplay) (as Lenore Coffee)
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Nominated for 1 BAFTA Film Award. Another 1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
...
Stephen Murray ...
Charles Goldner ...
Nora Swinburne ...
Mrs. Bertram
Frederick Leister ...
Dr. Collingwood
Mary Williams ...
O'Donovan Shiell ...
Doctor
Elsie Wagstaff ...
Christopher Warbey ...
Nan Munro ...
Mrs. Tomkins
...
Miss Palmer
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Storyline

In wartorn London Maurice Bendrix falls in love with neighbor Sarah Miles. They begin an illicit romance behind Sarah's husband's back. While war does not last forever, neither does love in this existentialist tale. Written by Robert Bole <rjbmbv@teleport.com>

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Genres:

Drama | Romance

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Release Date:

May 1955 (USA)  »

Also Known As:

Das Ende einer Affaire  »

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Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Shot June 29-September 10 1954, copyright 1954. See more »

Goofs

Maurice kisses Sarah and lowers his hands just before he enters Henry's house. The next shot shows him gripping his tie with his both hands. See more »

Quotes

Sarah Miles: Now that I'm what they call "good" I'm no good to anyone.
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Connections

Version of The End of the Affair (1999) See more »

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User Reviews

 
Van Johnson's love rival
29 October 2005 | by (United States) – See all my reviews

This is not a great film, but it is better than many critics said it was when the 1999 remake came out. THE END OF THE AFFAIR was one of the key novels of Graham Greene in the 1950s that delved into his intense Catholicism.

With a background of World War II, neighbors Maurice Bendrix and Sarah Miles (Van Johnson and Deborah Kerr) have a deep, passionate romance. But they are separated for a year or so, and when they try to resume the relationship (or when Johnson tries to resume the relationship - Kerr seems relatively hesitant). It turns out that, due to personal experiences, Kerr has had a religious revelation. She is listening to a Catholic priest. She is also trying to help a man with a deformity (a birthmark) on his face who hates God. She is also concerned about the spiritual health of Johnson and of her actual husband Henry (Peter Cushing, in a very moving - and non-horrific role). The film shows how Kerr affects all the lives around her, even beyond her death after a short illness (as the novel does). Yes, it is too talky - novels about ideas (and here it is the age old question of what is real love, the spiritual or the profane)usually are. Greene, good Catholic exponent that he was, would have said that Kerr's devotion to her God was an outpouring of divine true love to her fellow creatures. Her death is not a tragedy. But Greene the novelist and part-time realist cannot leave it there. Johnson's character is bitter at the end of this remarkable novel, and at the end of the film. And his bitterness is directed at the source of that love that triumphed over his profane one.


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