In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at ...
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Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother. Written by
Ed Stephan <email@example.com>
Several cast members reported that James Dean's emotions overtook him so strongly he would frequently cry. Elia Kazan usually just let those moments pass before resuming shooting, but he did leave one of Dean's breakdowns in--the scene in which Cal is crushed by his father's rejection of the money he earned for him. See more »
When Adam Trask is being shown how to operate the car he is going to buy, the mechanic takes Adam to the front of the car to show him how to use the manual hand crank. You can see the boom mic in the reflection of the cars front windshield. See more »
[after Cal asks why she shot his father]
Because he tried to hold me, he tried to tie me down! Nobody holds me!
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Cards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits" See more »
There were some serious acting chops behind the legend...
The early, violent death of someone so famous was a tragedy; but for someone who's never seen a Dean performance ("East of Eden" is his only movie I've seen to date; it has since been joined by "Rebel Without a Cause" as of Nov. 2007, and "Giant", in Jan. 2010) it's easy to get suckered by these details into believing that this is the only thing that adds substance to the man. Not so.
In "East of Eden" he delivers an intense performance as, unsurprisingly, an enigma; an individual too sensitive for life in his own world. It sounds from this as if it could well be similar territory to "Rebel Without a Cause", and given the events it's also perhaps not too far away from the real person - but nevertheless it's a striking portrayal that shows unmistakable 'fire' and talent.
James Dean is not one of those people who've come to be mythologised due to outside circumstances entirely beyond their control; for the consummate skill in his craft and the posthumous Oscar recognition brings something just as weighty to the table. About as far removed from the Orlando Bloom poster boy of his generation as it's possible to be, my expectations were completely trumped. There was real depth present, too.
All else is at least good, but it's the memory of a sobbing Cal all at once being transformed into a creature of hidden menace that I will take away with me. A riveting display from a fine actor, and undoubtedly a lasting testament to a lamentably short career. 9/10.
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