Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother. Written by
Ed Stephan <email@example.com>
In the original take of the roof scene, James Dean crawled through the window into Julie Harris's bedroom where he crouches beside her while she sleeps, fondling her slipper like a fetishist. That part was cut from the film, as was another highly eroticized scene between the two brothers in their room. See more »
Towards the end of the movie, the window that Aron breaks is different between shots. See more »
But you must give him some sign, Mr. Trask, some sign that you love him... or he'll never be a man. All his life he'll feel guilty and alone unless you release him.
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Cards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits" See more »
I've seen this movie several times, most recently on DVD with an additional DVD that includes the premier and a documentary about James Dean. Each time I see this movie I see it from a new perspective. I learned from the DVD and from reading Elia Kazan's comments that the character Cal (played by Dean) is really Steinbeck in many ways in his youth and Kazan also identified with him. I learned that there was real friction between Dean and the man who played his father, Raymond Massey and that Dean deliberately provoked Massey to get angry with him to bring out the moment in the film of the father's feelings towards his son. I also marvel each time i see this movie at the outstanding performance of Jo Van Fleet. She deserved her best supporting actress academy award. This movie resonates on many levels as do most of Kazan's films. It is modern retelling of the garden of eden story and it is the story of the troubled youth of the fifties fighting against the conservatism of the Eisenhower years. It is a story of the confusion and conflicts in a family with a war approaching and it's a story about a woman (Van Fleet's character) who doesn't like being bottled up in a controlled religious setting. Many things to enjoy here and one wonders where the artists of Kazans stature are in this day and age. I only wish that all of Kazan's films were on DVD, such as Baby Doll and Wild River. I wonder if anyone but me notices that on the extra DVD where there is an interview with John Steinbeck that he shifts and contorts his mouth in a manner very like Dean in the movie. It was said that neither Steinbeck nor Kazan originally liked Dean but both agreed that he was perfect for the part and both identified with him very much.
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