In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam...
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In the Salinas Valley, in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother Aron for the love of their father Adam. Cal is frustrated at every turn, from his reaction to the war, to how to get ahead in business and in life, to how to relate to estranged mother.
Written by Ed Stephan <stephan@cc.wwu.edu>
In the scene where Adam refuses to accept Cal's money, the script called for Cal to turn away in anger from his father. It was James Dean's instinct to embrace him instead. This came as a surprise to Raymond Massey, who could think of nothing to do but say, "Cal! Cal!" in response.
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Goofs
Continuity:
Near the beginning of the movie after Cal climbs up on the train, the position of the sleeves around his neck changes between shots. Also the long shot shows him covering his arms with the jumper, but in the close shot his arms are still outside.
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Quotes
Adam Trask:
[Adam gives Cal the bible to read]
Start at the fifth verse. Verse 5. Cal Trask:
[Cal begins to read... ]
"I acknowledge my sin unto thee, and mine iniquity have I not hid. I said, I will confess my transgressions unto the Lord and thou forgavest the iniquity of my sin. Selah." Adam Trask:
Go on. Cal Trask:
[he continues]
Six... Adam Trask:
And I suggest a little slower, Cal. And you don't have to read the verse numbers. Cal Trask:
[Cal continues on]
"For this shall every one that is godly pray unto thee. And surely in the floods of great waters they shall not come nigh unto him. Selah." Seven... Adam Trask:
Not the numbers, Cal... Cal Trask:
[Cal abruptly furthers reading]
"Thou art my hiding place, thou shalt preserve me from trouble, thou shalt compass me about with songs of deliverance. Selah."
[pause]
Cal Trask:
*Eight*...
[...]
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Crazy Credits
Cards during opening credits: In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough and tumble fishing port of Monterey, fifteen miles away. AND "1917 Monterey, just outside the city limits"
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"Oh, You Beautiful Doll"
(1911) (uncredited) Music by Nat Ayer Played when Cal first enters the bordello Also played when Cal and Abra pass in front of the mirrors
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