| Photos (See all 12 | slideshow) | Videos |
| Jean Servais | ... | Tony le Stéphanois | |
| Carl Möhner | ... | Jo le Suedois | |
| Robert Manuel | ... | Mario Ferrati | |
| Janine Darcey | ... | Louise | |
| Pierre Grasset | ... | Louis Grutter aka Louis le Tatoué | |
| Robert Hossein | ... | Remi Grutter | |
| Marcel Lupovici | ... | Pierre Grutter | |
| Dominique Maurin | ... | Tonio | |
| Magali Noël | ... | Viviane | |
| Marie Sabouret | ... | Mado les Grands Bras | |
| Claude Sylvain | ... | Ida Ferrati | |
| Jules Dassin | ... | Cesar le Milanais (as Perlo Vita) | |
| Armandel | ... | Second Gambler | |
| Alain Bouvette | ... | Footman, 'L'Age D'Or' | |
| Alice Garan | |||
| André Dalibert | ... | Webb, le bijoutier (as Dalibert) | |
| Jacques David | |||
| Émile Genevois | ... | Charlie | |
| Marcelle Hainia | ... | Fredo's Wife | |
| Marcel Lesieur | ... | Fredo (as Lesieur) | |
| Daniel Mendaille | ... | Lookout | |
| Huguette Montréal | |||
| Lita Recio | (as Lita Reccio) | ||
| rest of cast listed alphabetically: | |||
| Jacques Besnard | ... | Third Gambler (uncredited) | |
| Teddy Bilis | ... | Teddy Laurentin (uncredited) | |
| Jenny Doria | ... | (uncredited) | |
| René Hell | ... | Un camelot (uncredited) | |
| Gilbert Moreau | ... | Bit Part (uncredited) | |
| Maryse Paillet | ... | Charlie's Mother (uncredited) | |
| Marcel Rouzé | ... | First Gendarme (uncredited) | |
| Roger Rudel | ... | French voice of Jo le Suédois (uncredited) | |
| Fernand Sardou | ... | First Gambler (uncredited) | |
Directed by | |||
| Jules Dassin | |||
Writing credits | ||
| Auguste Le Breton | (novel "Du rififi chez les hommes") | |
| Jules Dassin | (adaptation) | |
| René Wheeler | (collaboration) and | |
| Auguste Le Breton | (collaboration) | |
| Auguste Le Breton | (dialogue) | |
Produced by | |||
| René Bezard | .... | producer | |
| Henri Bérard | .... | producer | |
| Pierre Cabaud | .... | producer | |
Original Music by | |||
| Georges Auric | |||
Cinematography by | |||
| Philippe Agostini | (director of photography) | ||
Film Editing by | |||
| Roger Dwyre | |||
Production Design by | |||
| Alexandre Trauner | (as Trauner) | ||
Set Decoration by | |||
| Auguste Capelier | |||
Costume Design by | |||
| Rosine Delamare | |||
Makeup Department | |||
| Anatole Paris | .... | makeup artist | |
Production Management | |||
| Jean Goiran | .... | unit manager | |
| Louis Manella | .... | unit manager | |
| René Gaston Vuattoux | .... | production manager (as René G. Vuattoux) | |
Second Unit Director or Assistant Director | |||
| Patrice Dally | .... | assistant director | |
| Bernard Delandre | .... | assistant director | |
| Jean-Jacques Vierne | .... | assistant director | |
Art Department | |||
| Louis Charpeaux | .... | property master (as Charpeaux) | |
| Pierre Charron | .... | set dresser | |
| Roger Fresca | .... | tapestry | |
| Georges Kougoucheff | .... | set dresser (as Kougoucheff) | |
| Maurice Terrasse | .... | property master | |
Sound Department | |||
| Charles Akerman | .... | sound | |
| Jacques Lebreton | .... | sound | |
| Jean Philippe | .... | sound assistant | |
Camera and Electrical Department | |||
| Raymond Bègue | .... | still photographer (as Begue) | |
| Changlesy | .... | assistant camera (as Chenglesy) | |
| André Domage | .... | assistant camera | |
| Raymond Pierre Lemoigne | .... | assistant camera (as Lemoigne) | |
| Jean-Marie Maillols | .... | camera operator | |
Costume and Wardrobe Department | |||
| Marcelle Desvignes | .... | costume execution | |
| Henriette Ridard | .... | wardrobe | |
Editorial Department | |||
| Denise de Casabianca | .... | assistant editor | |
| Nadine Trintignant | .... | assistant editor (as Nadine Marquand) | |
Music Department | |||
| Jacques Métehen | .... | conductor (as Jacques Metehen) | |
Other crew | |||
| Wilhelmine Berard | .... | administrator | |
| Renée Nitzschke | .... | script girl | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
This film is a work of pure class from start to finish, for a moment forget the famous 28 minute no dialog heist, forget that it's set in Paris and forget it's Noir. The film itself, the premise and the execution make this a pure gold experience.. it's sharp intelligent and thought through in great detail, just like the heist itself. It portrays real characters that are not only believable but whom you empathize with. It's a film that doesn't glamorize the notion of a robbery but shows it for what it is.. theft. It shows that a heist is hard work and ultimately not worth doing. Now all things considered put on top of that a daring 28 minute sequence with not a word spoken and set in gorgeous Paris with truly great attention to detail and fantastic cinematography and that last scene ...when you look up and see those trees... wonderful use of raw and basic filming techniques... it is a master piece in my view and I'm glad to have seen it.