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Rififi (1955)
"Du rififi chez les hommes" (original title)

Not Rated  |   |  Crime, Drama, Thriller  |  5 June 1956 (USA)
8.2
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Ratings: 8.2/10 from 17,087 users   Metascore: 97/100
Reviews: 102 user | 113 critic | 13 from Metacritic.com

Four men plan a technically perfect crime, but the human element intervenes...

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(novel), (adaptation), 3 more credits »
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Title: Rififi (1955)

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5 wins & 1 nomination. See more awards »

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Just out of prison, a career thief finds his wife has left him, and in his anger begins to plan a daring jewelry store heist.

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Cast

Cast overview, first billed only:
Jean Servais ...
Carl Möhner ...
Robert Manuel ...
Janine Darcey ...
Pierre Grasset ...
Louis Grutter aka Louis le Tatoué
Robert Hossein ...
Remi Grutter
Marcel Lupovici ...
Pierre Grutter
Dominique Maurin ...
Tonio
...
Viviane
Marie Sabouret ...
Mado les Grands Bras
Claude Sylvain ...
Ida Ferrati
...
Cesar le Milanais (as Perlo Vita)
Armandel ...
Second Gambler
Alain Bouvette ...
Footman, 'L'Age D'Or'
Alice Garan
Edit

Storyline

After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

["Rififi"] ...means Trouble!

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

5 June 1956 (USA)  »

Also Known As:

Rififi  »

Box Office

Opening Weekend:

$17,981 (USA) (21 July 2000)

Gross:

$418,016 (USA) (15 December 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The jewels stolen during the heist were genuine ones loaned by jeweler Jean Dusausoy, on condition they would be protected by the police. See more »

Goofs

When the injured Tony is driving through the streets, in several shots, every person on the sidewalk in the background is looking at the car and the camera vehicle doing the filming. See more »

Quotes

Mario Ferrati: [to Tony about Cesar] For a job with you he'll come. Cesar! There's not a safe that can resist Cesar and not a woman that Cesar can resist.
See more »

Connections

Spoofed in Ratataa eller The Staffan Stolle Story (1956) See more »

Soundtracks

La chanson 'Le Rififi'
Lyrics by Jacques Larue
Music by Philippe-Gérard
édité par LES AUTEURS ASSOCIÉS
Performed by Magali Noël (uncredited)
See more »

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User Reviews

 
It's good overall, and exceptional in the middle
23 October 2006 | by (United States) – See all my reviews

I've watched many film noirs in my day, but this would be one of the few French noirs that I've seen. In some senses, it's like most other film noirs: you have tough guys ("rififi" meaning tough guy), capers, and things going bad. There are no femme fatals in this one though.

So why does this film stand out? Why in the world would I watch this over any other of the hundreds of film noirs that were made in the world? Well, for the first half hour of the film, I couldn't figure it out either. In fact, it was kind of mundane. And then came the jewel heist. This is a stunner--for almost half an hour, there is not a word of dialogue and minimal sound effects. What's more, the tension gets thicker and thicker despite the silence.

The rest of the movie goes forward in a more typical fashion, but the caper itself is pretty impressive. The rest of the story is fine, a far as film noirs go. It doesn't help to elevate the film a lot, but the middle section makes the film worth watching.

It's good overall, and exceptional in the middle. 7/10.


5 of 6 people found this review helpful.  Was this review helpful to you?

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