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Rififi (1955)
"Du rififi chez les hommes" (original title)

 -  Crime | Drama | Thriller  -  5 June 1956 (USA)
8.2
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Ratings: 8.2/10 from 15,933 users   Metascore: 97/100
Reviews: 100 user | 110 critic | 13 from Metacritic.com

Four men plan a technically perfect crime, but the human element intervenes...

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(novel), (adaptation), 3 more credits »
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Title: Rififi (1955)

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5 wins & 1 nomination. See more awards »

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Crime | Drama | Thriller

Just out of prison, a career thief finds his wife has left him, and in his anger begins to plan a daring jewelry store heist.

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Cast

Cast overview, first billed only:
Jean Servais ...
Carl Möhner ...
Robert Manuel ...
Janine Darcey ...
Pierre Grasset ...
Louis Grutter aka Louis le Tatoué
Robert Hossein ...
Remi Grutter
Marcel Lupovici ...
Pierre Grutter
Dominique Maurin ...
Tonio
...
Viviane
Marie Sabouret ...
Mado les Grands Bras
Claude Sylvain ...
Ida Ferrati
...
Cesar le Milanais (as Perlo Vita)
Armandel ...
Second Gambler
Alain Bouvette ...
Footman, 'L'Age D'Or'
Alice Garan
Edit

Storyline

After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

["Rififi"] ...means Trouble!

Genres:

Crime | Drama | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

5 June 1956 (USA)  »

Also Known As:

Rififi  »

Box Office

Opening Weekend:

$17,981 (USA) (21 July 2000)

Gross:

$418,016 (USA) (15 December 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

For the scene where Jo and Mario inform Tony of their intent to "knock over" the Mappin & Webb, the crew placed a table and three chairs in front of a phony window frame in the middle of the street to create the illusion that they were sitting in a cafe across the street from the jewelers. See more »

Goofs

When Jo climbs down into Mappin & Webb, he is the fourth and final member of the gang. Yet you can see another pair of legs still in the room above. See more »

Quotes

Mario Ferrati: [to Tony about Cesar] For a job with you he'll come. Cesar! There's not a safe that can resist Cesar and not a woman that Cesar can resist.
See more »


Soundtracks

La chanson 'Le Rififi'
Lyrics by Jacques Larue
Music by M. Philippe-Gérard
édité par LES AUTEURS ASSOCIÉS
Performed by Magali Noël (uncredited)
See more »

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User Reviews

 
Pure gold standard...
6 July 2007 | by (DUBLIN, Ireland.) – See all my reviews

This film is a work of pure class from start to finish, for a moment forget the famous 28 minute no dialog heist, forget that it's set in Paris and forget it's Noir. The film itself, the premise and the execution make this a pure gold experience.. it's sharp intelligent and thought through in great detail, just like the heist itself. It portrays real characters that are not only believable but whom you empathize with. It's a film that doesn't glamorize the notion of a robbery but shows it for what it is.. theft. It shows that a heist is hard work and ultimately not worth doing. Now all things considered put on top of that a daring 28 minute sequence with not a word spoken and set in gorgeous Paris with truly great attention to detail and fantastic cinematography and that last scene ...when you look up and see those trees... wonderful use of raw and basic filming techniques... it is a master piece in my view and I'm glad to have seen it.


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