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Rififi (1955)

Du rififi chez les hommes (original title)
Not Rated | | Crime, Thriller | 5 June 1956 (USA)
Four men plan a technically perfect crime, but the human element intervenes...

Director:

Writers:

(novel), (adaptation) | 3 more credits »
6 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
Robert Manuel ...
Janine Darcey ...
Pierre Grasset ...
Louis Grutter aka Louis le Tatoué
...
Remi Grutter
Marcel Lupovici ...
Pierre Grutter
Dominique Maurin ...
Tonio
...
Viviane
Marie Sabouret ...
Mado les Grands Bras
Claude Sylvain ...
Ida Ferrati
...
Cesar le Milanais (as Perlo Vita)
Armandel ...
Second Gambler
Alain Bouvette ...
Footman, 'L'Age D'Or'
Alice Garan
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Storyline

After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

["Rififi"] ...means Trouble!

Genres:

Crime | Thriller

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

5 June 1956 (USA)  »

Also Known As:

Rififi  »

Box Office

Opening Weekend:

$17,981 (USA) (21 July 2000)

Gross:

$57,226 (USA) (27 November 2015)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was made on an extremely small budget (so small that Dassin claims people do not believe him when he tells them the amount), which is why so many desperate (himself included) or inexperienced people were hired for the production. The director claims that he was so broke at the Cannes film festival in 1955 (where he won the Best Director prize for the film) that, while watching one of the producers play the casinos, he had to ask for some money to bet. He then asked on what date had they began filming Rififi? When informed of the date (the 18th), Dassin put all his money on 18 and won. He says that his family managed to live off this money for a while. See more »

Goofs

When the injured Tony is driving through the streets, in several shots, every person on the sidewalk in the background is looking at the car and the camera vehicle doing the filming. See more »

Quotes

Jo le Suedois: Don't cry, he just learned some women have guts.
See more »


Soundtracks

La chanson 'Le Rififi'
Lyrics by Jacques Larue
Music by Philippe-Gérard
édité par LES AUTEURS ASSOCIÉS
Performed by Magali Noël (uncredited)
See more »

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User Reviews

the absolute best
14 December 2004 | by (san francisco) – See all my reviews

If any film approaches perfection, this is the one. Pound for pound and scene for scene it is the best. The only others even close are the Maltese Falcon and Asphalt Jungle, but this is the baby that beats even them. For sheer black and white beauty it is the equal of Asphalt, and just never lets up. Its ending is one of the best of all time, easily the equal of Citizen Kane. And making it even more amazing it that it was cobbled together in desperation: and made for practically nothing. In short, a bloody miracle.

It builds beautifully. Everything in it works, even down to the great music of George Auric.

Shot in early winter or late spring, it is authentic down to the white gangster breaths on the air. Paris never looked more dangerously beautiful.

Of all the films I have ever seen, it is the only one I would give a nine and a half to. And since most of it works very well without comment, probably it is best to just say, watch it and behold.


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