Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was made on an extremely small budget (so small that Dassin claims people do not believe him when he tells them the amount), which is why so many desperate (himself included) or inexperienced people were hired for the production. The director claims that he was so broke at the Cannes film festival in 1955 (where he won the Best Director prize for the film) that, while watching one of the producers play the casinos, he had to ask for some money to bet. He then asked on what date had they began filming Rififi? When informed of the date (the 18th), Dassin put all his money on 18 and won. He says that his family managed to live off this money for a while. See more »
When Tony and Mario go out in the black Citroen to time the drive with a stopwatch, they start out in a car with the standard grille and plate # 2126 DB75, but after the first turn they are in a car with an after-market grille and plate # 3510 BU75. See more »
You're not the only one that had an unhappy childhood, there are millions like you, and, in my eyes, *they* are the tough ones, not you!
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To me, it seems a very risky idea to attempt a Hollywood-remake of Jules Dassin's 1955 classic RIFIFI. Planned for release in 2007, Al Pacino apparently is gonna play the lead, taking on the role of Tony le Stephanois. Risky business... How they're gonna pull this off?
Ironically, Dassin was blacklisted in Hollywood and went on to try his luck in France and made this little masterpiece, aptly called by some "The Grandddady of all caper- and heist movies". In my opinion, it remains a one-of-a-kind classic, beautifully filmed with one of the most memorable endings ever to be put on film. Whatever one's opinion of the film.
In the last couple of years RIFIFI has become dangerously overpraised. Nevertheless, this French noir-classic shouldn't be forgotten. Go see it, before the remake is out there, in order to have some ammunition for comparing the two.
Camera Obscura --- 9/10
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