Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
After five years in prison, Tony le Stéphanois meets his dearest friends Jo and the Italian Mario Ferrati and they invite Tony to steal a couple of jewels from the show-window of the famous jewelry Mappin & Webb Ltd, but he declines. Tony finds his former girlfriend Mado, who became the lover of the gangster owner of the night-club L' Âge d' Or Louis Grutter, and he humiliates her, beating on her back for being unfaithful. Then he calls Jo and Mario and proposes a burglary of the safe of the jewelry. They invite the Italian specialist in safes and elegant wolf Cesar to join their team and they plot a perfect heist. They are successful in their plan, but the Don Juan Cesar makes things go wrong when he gives a valuable ring to his mistress. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The argot slang that the novel was written in was incomprehensible to writer/director Jules Dassin, so much so that he had to have his agent who suggested it, read it to him. The producer initially refused because he had been courting a woman for some time and had "plans" that night. Dassin told him that he'd lost his woman and that he had to come over and read it to him (which he did). When he finally understood the story he claims that he was "shocked" by its content (the story involves necrophilia, amongst other things) and was prepared to tell Henri Bérard that he didn't want to do the film. What changed his mind was his blacklist-induced poverty. He then cut Auguste Le Breton's novel down to a story of a heist (which was only a small element of the actual story). Le Breton was infuriated and came to Dassin and asked, "Where is my book?". Dassin explained the situation to him, but Le Breton ignored him and simply repeated "Where is my book?" until eventually drawing a pistol and placing it on the table as a threat. Dassin claims that the threat of violence over such a matter and the appearance of Le Breton was so ridiculous that he simply broke out with laughter. Le Breton then laughed and the two got along fine, despite the disagreement. See more »
When Tony picks some dirt out of the dead Jo's hair, Jo's right eye twitches. See more »
[to Tony about Cesar]
For a job with you he'll come. Cesar! There's not a safe that can resist Cesar and not a woman that Cesar can resist.
See more »
Breathtakingly brilliant! Still one of the greatest crime movies ever made.
'Rififi' is so damn good it takes your breath away! Director Jules Dassin, blacklisted from Hollywood, was living almost hand to mouth in Europe and taking any job he could get, when he made this movie, a project he was initially not at all excited by. Happily he turned around an awful situation and ended up making a classic thriller which is still one of the greatest crime movies ever made. One of the most influential too, having an impact on movies like 'The Killing', 'The Anderson Tapes', 'Thief', 'Reservoir Dogs', 'The Score' and many, many others. 'Rififi' is a classic heist movie but it is much more than that, it is a superbly written and acted character study. The robbery sequence itself is regarded as one of the most impressive in film history, but it is by no means the only thing worth watching this movie for. In fact I'd go so far as to call it perfect. Every time you watch it you discover something more of interest. Jean Servais, who later appeared in the entertaining horror sexploitation movie 'The Devil's Nightmare', is absolutely wonderful as Tony, a veteran criminal talked into joining his young friend Jo (Carl Mohner) in a daring robbery. His performance is first rate, but Mohner and the rest of the cast are equally good, including Drassin himself as Cesar, an Italian safe-cracker who inadvertently causes the gangs ultimate downfall. There's a brilliant scene between Servais and Drassin towards the end of the movie which is short but unforgettable. Look out for it. Truffaut raved about this movie calling it the best Noir he'd ever seen. I don't think he was exaggerating, it really IS that good, and personally I think it's a much better movie than Truffaut's more celebrated 'Breathless'. If you enjoy crime thrillers it doesn't get much better than this! Highly recommended!
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