Examines the sea horse, the only fish that swims upright. We watch it use its prehensile tail to wrap around plants and other sea horses. A frontal bulge houses organs including an air ... See full summary »
We begin on planet Earth, with a demonstration of measuring distances using triangulation. Then, an imaginary voyage begins from earth to the moon, on to Mars, Saturn, the closest star (... See full summary »
After a comic introduction, we look closely at a shrimp. Eyes on stilts, color patterns, pinchered walking feet, a rostrum. We watch shrimp eat using a strong claw and a fine one; we watch ... See full summary »
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of ... See full summary »
After the death of her parents, a young girl arrives at a convent and brings a sinister presence with her. Is it her enigmatic imaginary friend, Alucarda, who is to blame? Or is there a satanic force at work?
As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks. Written by
Rod Crawford <firstname.lastname@example.org>
The flower girl was played by Jebbie VeSota. She was married to Bruno VeSota who played the "rich man" and was also the associate producer of this film. See more »
The pulse of the neon light like a hammer at your brain: tormenting you, haunting you, forcing you to think, forcing you to remember your guilt, your horror; forcing you to go back, back, back, into the terror that you're trying to forget. Back through the mists of time into the graveyard where your secret lies buried from the world.
See more »
Even at under an hour, this film drags a bit in the middle but has so much going for it that it has to be called a "must-see." Definitely see the dialog-free version (DEMENTIA) before you see the narrated version (DAUGHTER OF HORROR) but do see both of them because the narration by future Tonight Show co-host Ed McMahon is priceless! The jazzy score and accompanying vocal renderings accent the weird mood perfectly. The last 15 minutes in the jazz club are especially striking as music, image and pace increase to a fever pitch until the movie starts as it began. It's amazing that a film as avant garde as this actually played mainstream theaters in the 50s.
20 of 23 people found this review helpful.
Was this review helpful to you?