A young woman is on death row for the murder of a man who was blackmailing her family, although she claims she was framed. Her fiance, a doctor who is conducting experiments on reviving the... See full summary »
As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks. Written by
Rod Crawford <email@example.com>
This film received scant distribution. It became well known when footage from it was used in the theatre sequence of the highly popular release The Blob (1958). See more »
Run, daughter of horror, run from your crime. But behind you, the policeman with the face of your father, the face of your first victim. Pursuing you relentlessly in your haunted brain. Hunting you mercilessly through the twisted corridors of your tortured mind. The horror that will track you down. The horror that can destroy you. Run, run, run!... Guilty, guilty, guilty!
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I orginally saw Dementia in 1972 at the Orson Welles Cinema in Cambridge Mass. It was there in error since Coppola's Dementia 13 was on the bill. What a treat. I requested return engagements after that and could find no reference to Dementia for years. Finally, at the library of arts at Lincoln Center in New York I found the history including the alternate title Daughter of Horror. I finally got a copy of the film about 6 years ago. Still one of my favorites. Particularly because of the music and the fabulous singing of Marnie Nixon (voice of Maria in West Side Story and other films. A brilliant film by John Parker - who may actually be Bruno Vesota. Unknown piece of information. He of course is famous for such classics as The Brain Eaters and Attack of the Giant Leeches. Seriously, Dementia is a great movie and displays a sophistication of production that belies its obvious lack of a substantial budget.
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