As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks. Written by
Rod Crawford <firstname.lastname@example.org>
The flower girl was played by Jebbie VeSota. She was married to Bruno VeSota who played the "rich man" and was also the associate producer of this film. See more »
I have so much to show you. So much that you are afraid to see. Come, let me take you by the arm and show you the bed of evil you sprang from. Let me take you back, to when you were a little girl. Let me show you... your father.
[Flashback scene of The Gamine's father]
Let me show you... your mother.
[Flashback scene of The Gamine's mother]
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This is one of the best and most intelligent films ever--although I don't think I'll be seeing it again anytime soon. I have never been so assaulted emotionally, psychologically, and intellectually by a movie. If you are looking for a fun and scary horror movie--this is NOT what you are looking for. This film is very disturbing. It is not gory, or overly graphic, just disturbing. The aesthetics of the film stretch back to early German Expressionism to 70s psychedelia. It is a bizarre mix of many things, most of which work perfectly. As you watch it, it's very easy to start judging the movie and go "Oh God, it's doing this or that". There are definately times when the movie borders on badness. But it is always one step ahead of itself, and one step ahead of you, and one step ahead of any other movie I have ever seen. The things the director does are amazing--he does things that were so ahead of his time.
The portrait of the main character is amazing. I've never felt so close to a character who completely freaked me out, as I did to her. She is SCARY--and so human in a wierd way. And that's why this movie was so good. It is not a black and white horror movie. It's not a slasher flick. It is definately trying to tell you something. Whether the final message is feminist or sexist is up for debate. This film is so well done that it's hard to tell whether it's being purposeful or exploitative. It's pointless to write more. You just have to see it.
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