When her husband John has a heart attack while out in a rowboat on the lake, Louise Haloran throws his body overboard and later tells the family that he has left on an urgent business trip.... See full summary »
Francis Ford Coppola
Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us.... See full summary »
This mostly unrelated sequel to Cat People (1942) has Amy, the young daughter of Oliver and Alice Reed. Amy is a very imaginative child who has trouble differentiating fantasy from reality,... See full summary »
A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
As the narrator invites us to explore the horrors of an insane mind, a young woman wakes from a nightmare in a cheap hotel room. We follow her through the skid-row night and encounters with an abusive husband; a wino; a pimp and the rich man he panders for; a flashback to her traumatic childhood; violence; pursuit through dark streets; dementia. Filmed in film-noir style throughout; only the narrator speaks. Written by
Rod Crawford <firstname.lastname@example.org>
This film received scant distribution. It became well known when footage from it was used in the theatre sequence of the highly popular release The Blob (1958). See more »
Nowhere to run. Nowhere to hide. If you could only wipe out the curse of your guilty past. If you could only become somebody else, before it's too late. Escape... into a world of *your* kind of people.
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This is one of the best and most intelligent films ever--although I don't think I'll be seeing it again anytime soon. I have never been so assaulted emotionally, psychologically, and intellectually by a movie. If you are looking for a fun and scary horror movie--this is NOT what you are looking for. This film is very disturbing. It is not gory, or overly graphic, just disturbing. The aesthetics of the film stretch back to early German Expressionism to 70s psychedelia. It is a bizarre mix of many things, most of which work perfectly. As you watch it, it's very easy to start judging the movie and go "Oh God, it's doing this or that". There are definately times when the movie borders on badness. But it is always one step ahead of itself, and one step ahead of you, and one step ahead of any other movie I have ever seen. The things the director does are amazing--he does things that were so ahead of his time.
The portrait of the main character is amazing. I've never felt so close to a character who completely freaked me out, as I did to her. She is SCARY--and so human in a wierd way. And that's why this movie was so good. It is not a black and white horror movie. It's not a slasher flick. It is definately trying to tell you something. Whether the final message is feminist or sexist is up for debate. This film is so well done that it's hard to tell whether it's being purposeful or exploitative. It's pointless to write more. You just have to see it.
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