In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
A psychically gifted young woman discovers a centuries-old crate buried on her aunt's ranch. Opening it, her family discovers the living head of Gideon Drew, a 16th century devil worshiper ... See full summary »
While stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who can change into serpents). When discovered by the cult, the High Lamian Priest vows that "the Cobra Goddess will avenge herself". Once back in the United States, a mysterious woman enters into their lives and accidents begin to happen. The shadow of a cobra is seen just before each death. Written by
All five of this movie's leading men later starred in at least one successful TV series: Richard Long ("The Big Valley"), Marshall Thompson ("Daktari"), William Reynolds ("The F.B.I."), Jack Kelly ("Maverick"), and David Janssen ("The Fugitive"). See more »
I have a great need of money, and for a great need, an old man will take a great risk.
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Set in 1945, six American GIs crash a snake-worshipping cult, and are threatened to be killed, one by one, for their misdeeds. The setup is a bit long (about 15 minutes), but once they get back to New York City, the excitement begins. Faith Domergue is amazingly beautiful, and most alluring, as a faux Asian "Cobra Woman", an instrument of death. Despite his third billing in the film, Marshall Thompson is her co-star, giving a strong performance as the GI who falls for her, and proves her ruin. He and the rest of the cast, Richard Long, William Reynolds, Jack Kelly and David Janssen, became more successful as television stars. Kathleen Hughes is also on hand as a pretty blonde love interest. Not much is made to recreate the era, it's definitely 1955, via the clothes, makeup, hairstyles, etc. And when Domergue is transformed back to a human, she's fully clothed! But as in most of Universal-International's decade of sci-fi/horror classics, which hold up better (and are re-shown on Cable and released to DVD/video) than their other output, save a few Douglas Sirk dramas, it's well-written, photographed, scored, paced and acted.
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