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Crashout (1955)

7.0
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Ratings: 7.0/10 from 258 users  
Reviews: 11 user | 10 critic

The survivors of a prison break set out on an arduous journey to retrieve some loot.

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Cast

Cast overview, first billed only:
...
Van Morgan Duff
...
Joe Quinn
...
Pete Mendoza
...
Luther Remsen / Swanee Rawlins / Reverend Remington
Gene Evans ...
Maynard 'Monk' Collins
...
Billy Lang
Beverly Michaels ...
Alice Mosher
Gloria Talbott ...
Girl on Train
...
Fred Summerfield
Percy Helton ...
Doctor Louis Barnes
Melinda Markey ...
Girl in Bar
Christopher Olsen ...
Timmy Mosher (as Chris Olsen)
Adele St. Mauer ...
Mrs. Mosher
Edward Clark ...
Conductor
Tom Dugan ...
Ed, the Bartender
Edit

Storyline

Convict Van Duff engineers a large-scale prison break; the six survivors hide out in a forgotten mine working near the prison, then set out on a long, dangerous journey by foot, car, train and truck to retrieve Duff's bank loot. En route, as they touch the lives of "regular folks," each has his own rendezvous with destiny. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Plot Keywords:

prison break | loot | truck | train | mine | See All (14) »

Taglines:

Every Day You Live Is The Day Before You Die! See more »


Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

March 1955 (USA)  »

Also Known As:

6 mördare har rymt  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Much of the opening, under-titles sequence of a prison break was made from footage borrowed from Riot in Cell Block 11 (1954), directed by Don Siegel. See more »

Quotes

Van Morgan Duff: [to Quinn] I never did like you. You talk too fast and too much.
See more »

Connections

Edited from Riot in Cell Block 11 (1954) See more »

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User Reviews

 
Semi-starry cast (and Beverly Michaels) helps carry routine jailbirds-on-the-lam noir
7 June 2002 | by (Western New York) – See all my reviews

Like Canon City seven years earlier or Big House, U.S.A. of the same year, Crashout follows half a dozen convicts along their futile path to freedom. The drama centers only incidentally on their pursuit by police but explores the tensions that erupt among them and their hostile reaction to the world beyond the machine-gun turrets and barbed-wire fences. It's fast, brutal and far from subtle, but its cast is above-average, and the movie even slows down now and again for a poignant little vignette.

Self-appointed leader of the pack is William Bendix, wounded during the (pre-credits) prison break but brooking no dissent nonetheless. Strangest among them is William Talman (who also appeared in Big House, U.S.A. but of course lost countless cases to Perry Mason on TV, as District Attorney Hamilton Burger); he's a knife-throwing religious nut. Luther Adler as a Latin Lothario, Marshall Thompson as a sentimental kid in this thing over his head, and Gene Evans round out the roster of escapees – except for Arthur Kennedy, who survives with something like a conscience stirring within him.

Helping to stir that conscience is farm gal Beverly Michaels, who arrives much too late in the story. Michaels, in her handful of roles (she starred in Russell Rouse's Wicked Woman), throws off a cool nonchalance that's all her own; with her low, distinctive way of talking, she suggests Sally Kellerman a decade or so later. In the ironic style that was coming into fashion, Crashout's ending leaves us hanging, at least a bit; still, it's competent enough to stand comparison with other installments of the jailbirds-on-the-lam sub-genre.


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