Charles Hathaway wakes up in West Wales with no recollection of who he is or how he got there. With the help of a Cardiff specialist he traces his life back to his gorgeous wife and their ... See full summary »
Charles Hathaway wakes up in West Wales with no recollection of who he is or how he got there. With the help of a Cardiff specialist he traces his life back to his gorgeous wife and their large London house, so all seems well with the world. But more detective work starts to uncover an alarming chain of further stunning wives and a way of going on that the new Charles finds pretty unacceptable. Written by
Jeremy Perkins <firstname.lastname@example.org>
First shown in the United States on NBC television, 6th November 1955, but with twenty minutes cut so that the film could be shown with commercials in a 90-minute time slot. This was the first time that a feature-length film premiered in the United States before reaching the theaters. It was also the first time a feature film was broadcast in color, but, since few viewers had color receivers at this time, most people saw it in black and white. See more »
The 1950s were an awful decade for comedy--censorship was strict, and middle-class manners were corseted so tight as to induce hysteria. This movie has a supposedly comic situation, but there is no funny dialogue, no funny scenes. There is just a lot of embarrassment, which is supposed to be ipso facto terribly amusing. The script is careless--Rex Harrison is a man who marries women for money, but his Italian wife clearly doesn't have much (she has, though, a stupendous bust and a foreign accent, and gestures a lot, all of which are, of course, terribly amusing to proper English people). The film begins with Harrison waking up in a hotel, not knowing who he is. Well, how could he have registered without giving a name? The laziness of the whole enterprise is grossly condescending to the viewing public in general and to women in particular.
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