When Cochise bands together with Geronimo and other Indian nations, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. Only thing in his way are the Indians he used to call his friends.
During the Alaska gold rush, prospector George sends partner Sam to Seattle to bring his fiancée but when it turns out that she married another man, Sam returns with a pretty substitute, the hostess of the Henhouse dance hall.
Virgil Renchler owns most of the town providing a thriving economy. When his men go too far and kill one of his migrant workmen, the sheriff goes after him even if it means his job and everyone else's.
When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective. Written by
Rod Crawford <email@example.com>
In some scenes General Crook has three stars in each shoulder strap, indicating the rank of lieutenant general, when he was only a brigadier general in 1876-1877. Possibly Crook's Sioux nickname of "three stars" - influenced the costume designer. See more »
Chief Crazy Horse:
I'm not speaking of visions. I'm speaking of a way to silence their guns without death. Time after time we've gone into battle like a herd of buffalo made crazy by fear. Knowing this, their soldiers have cut down. I have watched their soldiers many, many times... and how their young men are held back by the commands of their leaders until the time for the killing. Our young warriors must learn this. They must be obedient! They must be like the lance... that is obedient to the hand until it is ...
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Typical for its time, this is a well-intentioned biography of (as it states) "one of America's greatest generals". Real Indians appear in the background, and, like they were in Ford films, they are great scene-stealers. Victor Mature, Ray Danton, and Suzan Ball are quite good. Better-than-average script, but the action scenes are only fair (it was not an expensive movie, and it seems that the violence, especially in Custer's last stand, is underplayed to accentuate War as a necessity and not a pleasure). Good Remingtonesque photography, filmed in the Black Hills.
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