In 1940 Col. Dufort arrives in Timbuktu with his wife to take over the French garrison. This garrison is threatened by a Tuareg uprising supposedly inspired by Mohamet Adjani -- a holy man ... See full summary »
Yvonne De Carlo,
In Wyoming Territory, a range war is brewing between entrenched cattle barons and new settlers. Cattle king Reece Duncan is opposed by ambitious gambler Jim Averell, who imports his old ... See full summary »
In Paris, scoundrel mates Paolo and Antoine Venturen hope to get rich quick by asking ransom fro rich Mr. Jumelin's preteen son Eric. Masquerading as Indians, the scamp's favorite game, ... See full summary »
When Cochise bands together with Geronimo and other Indian nations, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. Only thing in his way are the Indians he used to call his friends.
As Lt. Jed Sayre struggles to prevent pre-Civil War tensions and a racist commanding officer from triggering war between the U.S. Cavalry and Navajo Indians, he finds his efforts are being ... See full summary »
When young Crazy Horse, of whom great things were predicted, wins his bride, rival Little Big Man goes to villainous traders with evidence of gold in the sacred Lakota burial ground. Of course, a new gold rush starts despite all treaties, and Crazy Horse becomes military leader of his people. Initial Indian victories lead to the inevitable result. Uniquely, all is told from the Indian perspective. Written by
Rod Crawford <firstname.lastname@example.org>
In some scenes General Crook has three stars in each shoulder strap, indicating the rank of lieutenant general, when he was only a brigadier general in 1876-1877. Possibly Crook's Sioux nickname of "three stars" - influenced the costume designer. See more »
Take a good look, Little Big Man! Make up your mind. You'll see plenty more blood spilled for a long time to come... until the country becomes civilized.
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Typical for its time, this is a well-intentioned biography of (as it states) "one of America's greatest generals". Real Indians appear in the background, and, like they were in Ford films, they are great scene-stealers. Victor Mature, Ray Danton, and Suzan Ball are quite good. Better-than-average script, but the action scenes are only fair (it was not an expensive movie, and it seems that the violence, especially in Custer's last stand, is underplayed to accentuate War as a necessity and not a pleasure). Good Remingtonesque photography, filmed in the Black Hills.
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