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Cell 2455 Death Row (1955)

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Whit, condemned and awaiting execution, reviews the events of his life that has brought him to Cell 2455 on San Quentin's Death Row, a story he had told in a autobiography that became a ... See full summary »



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Title: Cell 2455 Death Row (1955)

Cell 2455 Death Row (1955) on IMDb 6.4/10

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Cast overview, first billed only:
Whit Whittier
R. Wright Campbell ...
Whit as a boy (as Robert Campbell)
Marian Carr ...
Harvey Stephens ...
Allen Nourse ...
Serl Whittier
Diane DeLaire ...
Hallie Whittier
Whit, as a Young Boy (as Bart Bradley)
Paul Dubov ...
Tyler MacDuff ...
Buck Kartalian ...
Thom Carney ...
Hatcheck Charlie
Joseph Forte ...
Lawyer (as Joe Forte)


Whit, condemned and awaiting execution, reviews the events of his life that has brought him to Cell 2455 on San Quentin's Death Row, a story he had told in a autobiography that became a sensational best-seller. As a boy, the young Whit stole groceries to help feed his impoverished family, later moving on into major crime to impress a young gang moll, Jo-Anne, and turns into a cold-blooded thug when he is repudiated by the girl he loves, Doll. And by his own lawyer when he is arrested and tried as the infamous Lover's Lane Bandit. In cell 2455, he studies law to the point where he wins stay after stay, twice within minutes of his scheduled execution. Written by Les Adams <>

Plot Summary | Add Synopsis


Confession before the cameras by convicted "Lover's Lane" Bandit!


Biography | Crime | Drama


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Release Date:

19 April 1955 (USA)  »

Also Known As:

Cell Block  »

Company Credits

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Technical Specs


Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?


The birth name for Caryl Chessman is Carol Whittier Chessman. Whittier is the name used for the convict. See more »


Version of Cela da Morte (1958) See more »

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User Reviews

Just Plain Grim
10 November 2012 | by (Claremont,USA) – See all my reviews

Lurid account of Caryl Chessman's criminal career at a time when his book was big on newstands. One thing for sure—there's no attempt in the film to glamorize or soft-peddle what appears to be a thoroughly nasty personality. Rarely, in fact, has any movie of the period made its leading man so dislikable. Campbell is quite good as the cocky young punk who goes from thievery to penny-ante stick-ups to ripping off organized crime to lover's lane rapist.

The movie itself is so uncompromisingly grim as to be off-putting. There's no effort at relieving the cheap criminality with character development or snatches of humor. The screenplay does have more fast car chases and shenanigans than a NASCAR rally, while some are darn near hair-raising. Look early on for a young Kathryn Grant and before she started up the Hollywood ladder. All in all, the movie's little more than a cheap exploitation flick with few redeeming features outside of being fast-paced.

(In passing-- Chessman's appeals luck finally ran out in May, 1960, but not before attracting support from a number of celebrities ,e.g. Steve Allen, impressed by Chessman's literary talents. Then too as incorrigible as he was, he hadn't killed anyone. Nonetheless, I don't recall much public concern when he finally got a whiff of San Quentin's lethal fumes.)

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Very good car stunt work! eagle-78
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