Whit, condemned and awaiting execution, reviews the events of his life that has brought him to Cell 2455 on San Quentin's Death Row, a story he had told in a autobiography that became a ...
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Whit, condemned and awaiting execution, reviews the events of his life that has brought him to Cell 2455 on San Quentin's Death Row, a story he had told in a autobiography that became a sensational best-seller. As a boy, the young Whit stole groceries to help feed his impoverished family, later moving on into major crime to impress a young gang moll, Jo-Anne, and turns into a cold-blooded thug when he is repudiated by the girl he loves, Doll. And by his own lawyer when he is arrested and tried as the infamous Lover's Lane Bandit. In cell 2455, he studies law to the point where he wins stay after stay, twice within minutes of his scheduled execution. Written by
Les Adams <firstname.lastname@example.org>
When Whit and his associates steal the police car, authorities are notified in real time and a car chase begins, but how would the cops whose car was stolen be able to report it if their car was stolen? See more »
What stage does a wayward boy turn into a delinquent? I guess you don't suddenly 'turn' - you 'curve' in.
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Brutal, fast moving crime thriller from deeply underrated director Fred F. Sears, who cranked out numerous westerns, crime thrillers, science fiction, comedy, horror, and musical features for producer Sam Katzman in the 1950s. This film isn't available on DVD or VHS, and more's the pity; it's easily better than most of the Don Siegel, Andre de Toth, or Budd Boetticher crime films of that era. Why Sears has never gotten the respect he deserves is easy to understand; he also directed junk, like THE GIANT CLAW. But his best known films, including ROCK AROUND THE CLOCK and EARTH VS. THE FLYING SAUCERS with superb effects by Ray Harryhausen are remarkable accomplishments, and Sears is long overdue for a career retro.
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