Three years after the end of the Apache wars, peacemaking chief Cochise dies. His elder son Taza shares his ideas, but brother Naiche yearns for war...and for Taza's betrothed, Oona. Naiche... See full summary »
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
A notorious Middle Eastern terrorist (Dourif) is plotting a major attack on the U.S. that includes detonating a powerful nuke in the heart of Los Angeles; the only thing standing in his way... See full summary »
Michael Bailey Smith,
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Preface In criminal law, law-breakers especially youth who are released on probation are being supervised by Probation Officers. Story If being bad is being evil, hell will have a full ... See full summary »
In 1815, Michael Martin, member of an Irish revolutionary society, turns highwayman to support it, and is forced to flee into outlawry. In Dublin, he meets famous rebel "Captain Thunderbolt" and becomes his second-in-command, "Lightfoot." 'Tis a perilous life, with captures, turncoats, rescues, and romance. Written by
Rod Crawford <firstname.lastname@example.org>
Rock Hudson, Barbara Rush, and Jeff Morrow came over from America to appear with a cast of Irish players starring in Captain Lightfoot. It's a story of Ireland in the post Napoleonic era with the dashing Captain Thunderbolt looking for a successor to carry on with banditry and villainy all in the cause of a free Ireland.
Morrow is the legendary Thunderbolt getting on in years and when in the guise of a parson spots young Rock Hudson taking on a British dragoon. That was it, Morrow has found his man.
He also finds his son-in-law as well as his daughter Barbara Rush eventually falls for Hudson who after a period where she thinks of him as a country bumpkin, starts falling for him. She names his Lightfoot because of lack of ability on the dance floor. There relationship is not approved of by Morrow and first and Rush is a spitfire. There's a lot of borrowing from The Taming Of The Shrew here.
Hudson seems a bit ill at ease in a part that a young Errol Flynn would have gone to town with. Also if you've seen Douglas Fairbanks, Jr. in The Fighting O'Flynn with that kind of élan Fairbanks brought to the part it was a shame he was about 15 years too old for the role.
Rush and Morrow are great and the Irish locations and the talents of the supporting cast, many of them members of the Abbey Theater really do make the film a visual treat and a treat for the ears. The finale involving storming the castle at Ballymoor is well staged.
He wasn't well cast, but the role did no harm to the rising career of Rock Hudson.
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