Businessman Victor Hardy (Noiret) wants to buy the entire area around the small village of Cabosse. He claims that he wants to return to nature, but he also intends to profit by selling the... See full summary »
A group of travelers, including a monk, stay in a lonely inn in the mountains. The host confesses the monk his habit of serving poisoned soup to the guests, to rob their possessions and to ... See full summary »
Henri Chatelard is well in his forties, owns a restaurant and a cinema in the city, and appreciate women. When he meets Marie, a 18ish stronghead who just lost her father in a small ... See full summary »
I'll give it 5/10 for the solid craftsmanship that went into making it. Delannoy always knew how to move his camera; he could also get good performances from his actors. When he came to make Maigret tend une piege, the actors were outstanding and served to create a film of stunning power.
What of Chiens perdus sans collier? We never see any great imaginative perception of these children's situations. Alain Robert's spectacular actions as he burns the barn down--and almost kills himself--is well shot, but it seems derivative of Clement's Jeux interdits of 1951. The love affair between Francois and Sylvette is redolent of TV melodrama. Gabin's performance as the children's court judge is well observed but he has done this sort of part many times in his career.
I don't care to reopen the debate regarding cinema of quality vs. New Wave--I like too many of the directors on either side of the barricade. I merely want to write about what I felt watching this particular film.
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