Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about... See full summary »
Courbevoie (France), 1971. Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished... See full summary »
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
At 73, France's ex-president, Emile Beaufort, faces declining health, but he still plays a vigorous role behind the scenes as a philosopher and, potentially, as a power broker. In ... See full summary »
Gloomy and without concessions, this film definitely won't make you happier after watching it, but it's so well made you will probably get into the plot, even with the slow pace and naif styling common in 50's French cinema.
Of course Gabin is a "good guy", tired, tough, but ultimately fair. Even if he's constantly showing he's tired of the job, being badly paid, quite impatient, etc. Needlessly, he steals the movie. The young stars don't disappoint. Maybe Francis is a bit too slick for the age, being sort of a natural leader who never misses a cue. Alain's ingenuity is believable, and that's quite a feat for a child actor. Sylvette is also right on track as the "beautiful working class bitter heroine". The prostitute step mum's treatment is also an interesting character, given she's never given moral lessons or shown "what happens to those people", unlike other films of the epoch. Finally, as usual, no "accompanying music" and a "minimalist" in the sense of austere décor aid for this film's oppressive feeling you get while watching it.
IMDb's pro reviewer "Dumnteil" is accurate as usual when comparing it favourably with the way more famous "400 coups". Enjoy!
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