Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each... See full summary »
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Gustave Minda, better known as Gu, a dangerous gangster, escapes from jail. He goes to Paris to join Manouche and other friends, and get involved in a gangland killing. Before leaving the ... See full summary »
Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is planed exactly, but the police is informed about the planned coup. Meanwhile in the Casino Bob starts to gamble. Written by
Stephan Eichenberg <email@example.com>
Bob drives a stylish 1955 Plymouth Belvedere convertible. See more »
McKimmie demonstrates the four-dial combination-lock for the gang by turning all four dials before opening and closing it. But when Roger practices his safe-cracking technique on it, he misses the upper-right dial and instead works the lower-right dial a second time (after sandpapering his fingertips). See more »
Locks are like pretty ladies. You need to practise to know them.
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Perfected the clichés that made every filmmaker want to rob casinos.
"Bob the high-roller," as he was called in the translation I watched; loves gambling. He's also a thief. Everyone thinks he's retired, including the police sergeant he keeps in touch with. But he suddenly gets a taste for it again, and decides to put a group together and rob a casino. Remade un-memorably with Nick Nolte as The Good Thief, this black and white French original created the clichés that made the whole world sing, from Ocean's Eleven (1960), Reservoir Dogs (1991), Casino (1994) and every other breezy heist movie ever made. Stanley Kubrick said he stopped making crime movies because Melville made the perfect one here.
Great characters, a memorable score with jazzy sections, great performances, and probably the best pacing and story of any heist/noir/crime movie from the 30's, 40's or 50's. This is just guaranteed compulsively good entertainment, and as a first experience from Jean-Pierre Melville, instantly encourages me to see everything else he did. My next steps will by Le Cercle Rouge, Army in the Shadows and Le Samourai.
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