Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is ... See full summary »
In a small town in occupied France in 1941, the German officer, Werner Von Ebrennac is billeted in the house of the uncle and his niece. The uncle and niece refuse to speak to him, but each... See full summary »
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Gustave Minda, better known as Gu, a dangerous gangster, escapes from jail. He goes to Paris to join Manouche and other friends, and get involved in a gangland killing. Before leaving the ... See full summary »
In an open-air dance hall, the members of Leca's gang are relaxing with their ladies. One of them, Marie, aka "Casque d'Or" (Golden Helmet) meets Manda, a carpenter. Her man Roland belongs ... See full summary »
Bob, a old gangster and gambler is almost broke, so he decides in spite of the warnings of a friend, a high official from the police, to rob a gambling casino in Dauville. Everything is planed exactly, but the police is informed about the planned coup. Meanwhile in the Casino Bob starts to gamble. Written by
Stephan Eichenberg <firstname.lastname@example.org>
Classic French crime movie from the 1950s. An influence on everyone from Godard and Truffaut to Paul Thomas Anderson.
Cult director Jean-Pierre Melville was originally involved with French art legend Jean Cocteau, but really found his niche making hard boiled crime movies. 'Bob le flambeur' was the first major work by him, and he kept making movies up until the early 1970s with 'Dirty Money'. His work had a huge influence on the French New Wave led Godard and Truffaut (who cast him in a supporting role in 'Breathless' as an acknowledgment), and has proved to be a major inspiration for American film makers like Scorsese, Tarantino and Paul Thomas Anderson whose debut 'Hard Eight' owes 'Bob le flambeur' quite a debt. 'Bob..' really knocked me out, and along with the equally brilliant 'Rififi' directed by Jules Dassin and released the same year, it's one of THE great crime movies of the 1950s, and should be mentioned in the same breath as Huston's 'The Asphalt Jungle' and Kubrick's 'The Killing'. All four films have had an enormous influence on most subsequent movies in the heist genre. 'Bob's plot is quite simple but the story itself isn't the half of it. What Melville DOESN'T say is just as important as what he does, and the viewer has to piece a lot of it together for himself. Roger Duchesne is super cool as Bob, the ageing gambler on a perpetual bad streak, Daniel Cauchy is excellent as his cocky young protege Paolo, and Isabelle Corey is sexy and intriguing as Anne, the jailbait who gets involved with them both. Personally I prefer this movie and 'Rififi' to 'Breathless' and any French New Wave I've seen to date, but that says as much about my taste as much as the movies themselves. Even so I highly recommend 'Bob le flambeur' to anybody who involves crime movies. It's a classic of the genre, and still fantastically entertaining.
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