Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
It was Leonora Eames' childhood dream come true. She had married Smith Ohlrig, a man worth millions. But her innocent dream became a nightmare once she realizes the truth about her husband ... See full summary »
Barbara Bel Geddes,
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist. Written by
Robert Aldrich rather cattily laid the blame for the film's box office failure at the door of Jack Palance, claiming that he didn't have leading man looks. This obviously didn't bother both parties too much as Palance worked with Aldrich several times later in his career, starting with Attack (1956) the following year. See more »
In the living room, as Hoff begins "We all love you..." his hands are clasped in front of him. But on the cut, in mid-sentence ("...you're a great artist...") his arms are spread wide. See more »
The Big Knife is a mostly good adaptation of a Clifford Odets play about a Hollywood actor who's being blackmailed into studio servitude while trying to patch up his failing marriage. This is a movie for which the word powerful was truly invented. Most of the film takes place on one set and places heavy emphasis on speeches from the individual characters for its really riveting moments (as I would expect from a stage play), but those moments definitely get across. The whole cast is good, but Jack Palance in a nuanced and fiery performance as the actor Charlie Castle, and Rod Steiger, giving a deeply felt and passionate realization of the corrupt studio boss are nothing short of superb. The screenplay is full of smart, incisive, biting dialogue as well. Except for a melodramatic turn at the end, that, for me, takes a lot of the edge off the story, this is a well-acted film that is solid, though not spectacular, entertainment. 3*** out of 4
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