At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist. Written by
A charged, stage-bound melodrama, with Palance as a movie star in servitude to the studio boss (Steiger) who's blackmailing him. His wife (Lupino) won't agree to live with him until he's his own man again, which means not renewing his 7 year contract.
Palance does his best, but he's not the kind of actor who can show a character going through real transitions and hold the audience's attention for an entire film. Steiger is allowed to go over the top a few too many times, but Corey provides some of the film's best moments as his more ruthless, and at the same time gentlemanly, henchman. Sloane provides an unusual characterization as a somewhat sissified agent.
Ultimately, too cramped in its one room location (which may have been done deliberately to show the character's isolation from the world, but still produced a stagey effect that bind the film too tightly).
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