Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this ... See full summary »
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Aging bank robber, Roy Earle, escapes from prison and decides to rob a resort hotel, as a last heist before retiring. Earle's gang include Babe, Red, Marie and Louis Mendoza, an "inside man" at the hotel. However, things don't go as planned.
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist. Written by
A charged, stage-bound melodrama, with Palance as a movie star in servitude to the studio boss (Steiger) who's blackmailing him. His wife (Lupino) won't agree to live with him until he's his own man again, which means not renewing his 7 year contract.
Palance does his best, but he's not the kind of actor who can show a character going through real transitions and hold the audience's attention for an entire film. Steiger is allowed to go over the top a few too many times, but Corey provides some of the film's best moments as his more ruthless, and at the same time gentlemanly, henchman. Sloane provides an unusual characterization as a somewhat sissified agent.
Ultimately, too cramped in its one room location (which may have been done deliberately to show the character's isolation from the world, but still produced a stagey effect that bind the film too tightly).
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