Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Set in the 1920s Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 ... See full summary »
Hard, withdrawn city cop Jim Wilson roughs up one too many suspects and is sent upstate to help investigate the murder of a young girl in the winter countryside. There he meets Mary Malden,... See full summary »
Harry manages The California Dolls, a female wrestling tag team endlessly touring America, and he's also romantically involved with one of them. Their fortunes seem on the slide (... See full summary »
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist. Written by
Stanley Shriner Hoff was an amalgam of various studio heads and not - as many believed - a direct parody of Columbia head Harry Cohn. (Hoff's penchant for crying was borrowed from one of Louis B. Mayer's more idiosyncratic traits.) Nevertheless, Harry Cohn took personal offense at the characterization. See more »
In the living room, as Hoff begins "We all love you..." his hands are clasped in front of him. But on the cut, in mid-sentence ("...you're a great artist...") his arms are spread wide. See more »
I don't care if I do see a snake. I'm sure I'd much rather see a snake than a Hollywood producer.
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A charged, stage-bound melodrama, with Palance as a movie star in servitude to the studio boss (Steiger) who's blackmailing him. His wife (Lupino) won't agree to live with him until he's his own man again, which means not renewing his 7 year contract.
Palance does his best, but he's not the kind of actor who can show a character going through real transitions and hold the audience's attention for an entire film. Steiger is allowed to go over the top a few too many times, but Corey provides some of the film's best moments as his more ruthless, and at the same time gentlemanly, henchman. Sloane provides an unusual characterization as a somewhat sissified agent.
Ultimately, too cramped in its one room location (which may have been done deliberately to show the character's isolation from the world, but still produced a stagey effect that bind the film too tightly).
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