Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this ... See full summary »
At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group. The pressure of the dangerous work starts to affect them, the more so as they... See full summary »
Homicide detective Mike Conovan investigates the shooting of fellow detective Monigan...who apparrently was moonlighting as guard for a bookie. He finds that all the bookies in town are ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Set in the 1920s Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Charles Castle is a successful Hollywood actor who has opted for screen success over art. He must make critical decisions regarding his career, his marriage, his art & morality. In this screen adaptation of a Clifford Odets play, Castle is pressured by his studio boss and manipulated into a potentially murderous cover-up to protect his career. An indictment of the amoral world of 50's Hollywood and its corrosive effect upon the artist. Written by
Two years later, Robert Aldrich's career looked all but over when he was fired from a Columbia movie called The Garment Jungle (1957). Columbia head Harry Cohn happily handed him his marching papers when he realized halfway through filming that this was the same director who had made The Big Knife (1955). Although he was never officially blacklisted, Aldrich had real difficulty securing other work and had to go to Europe where he made the Hammer film Ten Seconds to Hell (1959) and the Biblical epic Sodom and Gomorrah (1962). See more »
In the living room, as Hoff begins "We all love you..." his hands are clasped in front of him. But on the cut, in mid-sentence ("...you're a great artist...") his arms are spread wide. See more »
One of the 10 best of '55 with sparks flying between Palance & Steiger. Subtle performance by Ms. Ida Lupino and intensity personified by J. Palance. Rod Steiger with white hair and hearing aid is pretty scary. Written by Clifford Odets, this realistic Hollywood tale cuts no corners and does not see out.
An 8 out of 10. Best performance = Rod Steiger. Too grim for some. Beautiful B/W cinematography and terrific script and the entire cast is deliberate and impassioned. I don't believe it was nominated for anything, but should have been. I'm not sure if this is on video or DVD, but check it out!
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