| Cornel Wilde | ... | Police Lt. Leonard Diamond | |
| Richard Conte | ... | Mr. Brown | |
| Brian Donlevy | ... | Joe McClure | |
| Jean Wallace | ... | Susan Lowell | |
| Robert Middleton | ... | Police Capt. Peterson | |
| Lee Van Cleef | ... | Fante | |
| Earl Holliman | ... | Mingo | |
| Helen Walker | ... | Alicia Brown | |
| Jay Adler | ... | Detective Sam Hill | |
| John Hoyt | ... | Nils Dreyer | |
| Ted de Corsia | ... | Ralph Bettini | |
| Helene Stanton | ... | Rita | |
| Roy Gordon | ... | Audubon | |
| Whit Bissell | ... | Doctor (scenes deleted) (as Whit Bissel) | |
| Steve Mitchell | ... | Bennie Smith, Boxer | |
| Baynes Barron | ... | Young Detective | |
| James McCallion | ... | Frank - Lab Technician | |
| Tony Michaels | ... | Photo Technician | |
| Brian O'Hara | ... | Attorney Malloy | |
| Rita Gould | ... | Nurse | |
| Bruce Sharpe | ... | Detective | |
| Michael Mark | ... | Fred - Hotel Clerk | |
| Philip Van Zandt | ... | Mr. Jones (scenes deleted) | |
| Donna Drew | ... | Miss Hartleby | |
| rest of cast listed alphabetically: | |||
| Eve Bernhardt | ... | Cabaret Showgirl (uncredited) | |
| Jack Chefe | ... | Waiter (uncredited) | |
| James Conaty | ... | Dance Extra at Club (uncredited) | |
| Jakob Gimpel | ... | Pianist (uncredited) | |
| Herbert Lytton | ... | Waiter (uncredited) | |
Directed by | |||
| Joseph H. Lewis | (as Joseph Lewis) | ||
Writing credits | ||
| Philip Yordan | (by) | |
Produced by | |||
| Sidney Harmon | .... | producer | |
| Walter Mirisch | .... | executive producer (uncredited) | |
| Cornel Wilde | .... | associate producer (uncredited) | |
Original Music by | |||
| David Raksin | |||
Cinematography by | |||
| John Alton | (director of photography) | ||
Film Editing by | |||
| Robert S. Eisen | (as Robert Eisen) | ||
Production Design by | |||
| Rudi Feld | |||
Set Decoration by | |||
| Jack McConaghy | |||
Makeup Department | |||
| Larry Butterworth | .... | makeup artist | |
| Carla Hadley | .... | hair stylist | |
Production Management | |||
| George Moskov | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Robert H. Justman | .... | assistant director (as Robert Justman) | |
| Mack V. Wright | .... | assistant director (as Mack Wright) | |
Sound Department | |||
| Earl Snyder | .... | sound | |
Special Effects by | |||
| Louis DeWitt | .... | special photographic effects | |
| Jack Rabin | .... | special photographic effects | |
Camera and Electrical Department | |||
| Harry Sundby | .... | lighting | |
Costume and Wardrobe Department | |||
| Don Loper | .... | wardrobe designer: Jean Wallace | |
Music Department | |||
| Jakob Gimpel | .... | musician: piano solo (as Jacob Gimpel) | |
| Robert Tracy | .... | music editor | |
Other crew | |||
| Mary Chaffee | .... | set continuity | |
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| The Big Heat | Little Caesar | The Bad Lieutenant: Port of Call - New Orleans | Touch of Evil | St. Ives |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
It is surprising that the brilliance of this film has not been adequately recognised by the viewing public or the critics. Probably inspired by the prototypical rogue cop in Fritz Lang's "The Big Heat", this film features the crusade of one man - Lieutenant Diamond (Cornel Wilde in a super performance) to pin down Richard Conte's smooth-tongued gangster. Struggling to keep away the departmental bureaucracy, he battles singlehandedly against organised crime with a devotion to duty bordering on the obsessional ("It's my sworn duty to push too far").
Despite the absence of any big name in the cast, this film presents all the elements that we have come to love about American film noir - great lighting and photography, tight script ("First is first, and second is nobody"), a great storyline, and some superb performances (Susan Lowell as a society girl - the gangster's moll - is ravishing).
Watch this film. It's time it got recognition amongst the greatest films to come out of Hollywood. Ever.