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The Benny Goodman Story (1956)

Approved | | Biography, Drama, Music | 3 January 1956 (Japan)
Bio of swing band leader 'Benny Goodman' from age 10 (1919) to his landmark Carnegie Hall band concert in 1938. Not exactly historically accurate, but great music. Also, guest appearances ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Alice Hammond
Berta Gersten ...
Mama Goodman
Barry Truex ...
...
John Hammond Jr.
...
Papa Dave Goodman
Hy Averback ...
Willard Alexander
...
Fletcher Henderson
Dick Winslow ...
Gil Rodin
Shepard Menken ...
Harry Goodman (as Shep Menken)
...
Murph Podolsky
Wilton Graff ...
John Hammond Sr.
Fred Essler ...
Prof. Schoepp
David Kasday ...
John Erman ...
Harry Goodman (at 16) (as John M. Erman)
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Storyline

Bio of swing band leader 'Benny Goodman' from age 10 (1919) to his landmark Carnegie Hall band concert in 1938. Not exactly historically accurate, but great music. Also, guest appearances by many great musicians of the time. Written by Don Femia <donfemia@csn.net>

Plot Summary | Add Synopsis

Genres:

Biography | Drama | Music

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

3 January 1956 (Japan)  »

Also Known As:

La historia de Benny Goodman  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Already an accomplished piano player, Steve Allen learned how to play the clarinet for this film. See more »

Goofs

At the end of the clarinet concerto, the first violinist stands up twice. See more »

Quotes

Alice Hammond: I can't remember when I've been so moved.
Benny Goodman: That wasn't me - that was Mozart.
See more »

Crazy Credits

Benny Goodman's theme song is played over the appearance of the "Universal International" globe. See more »

Soundtracks

Bugle-Call Rag
Written by Elmer Schoebel, Billy Meyers and Jack Pettis
See more »

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User Reviews

Reasonable retelling of a portion of BG's life story
29 April 2003 | by (JOHN.PALMER@RELIANCENATIONAL.COM) – See all my reviews

Growing up in the 40's in Brooklyn, I heard the music of BG, Miller, Dorsey, Shaw, etc. on the family radio(Martin Block's "Make Believe Ballroom"). I became a big fan of Benny's in 1950, with the release of the Columbia LP of the Carnegie Hall concert and the 1937-1938 radio broadcast albums.The music on these live performance albums was outstanding and spontaneous as opposed to the sterile studio recordings locked into a 3 minute format for 78 rpm records. These albums resulted in a resurgence of Benny's popularity and, ultimately lead to the movie.

Steve Allen, while not a great choice, was probably the best at that time, since he was a popular TV personality and was a music lover and musician in his own right. As for Donna Reed, well what can anyone say except that she was as beautiful as ever and the consummate pro as the female lead. A fairly fast paced film with loads of musical guest stars and some pretty good tunes made famous by and played by BG for the soundtrack.

Benny was not an exciting or controversial guy, so how do you generate enough interest to draw people to the movie,as is the case today. In 1955, good music did the trick. About the only controversy about Benny was his reputation of staring down any band member who diverted from the the arrangement. One former musician described in an interview how "the old man gave me the evil stare for the whole number after hitting a wrong note early on".

Too bad they could not synchronize the actual concert music with the movie. In particular, the quartet version of "Stompin At The Savoy" in which Gene Krupa's cymbal flew off the stand and was hit by Lionel Hampton on the way by without missing a beat, or the concert rendition of "Sing,Sing,Sing", probably the best ever recorded.

If you like this film go out and buy the newly released CD of the Carnegie Hall concert complete with 2 numbers previously excluded from other releases with intros by BG and no interruptions between numbers allowing you to hear the sounds of the band setting up for the next number, etc. Just like being there.


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