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Beezy Bear (1955)

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Beekeeper Donald catches Humphrey the bear raiding his hives. He complains to Ranger Woodlore, who assembles his bears and lectures them. Donald puts up a barbed wire fence, which slows ... See full summary »



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Title: Beezy Bear (1955)

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Credited cast:
James MacDonald ...
Clarence Nash ...
Donald Duck (voice)
Bill Thompson ...


Beekeeper Donald catches Humphrey the bear raiding his hives. He complains to Ranger Woodlore, who assembles his bears and lectures them. Donald puts up a barbed wire fence, which slows Humphrey down a bit, but doesn't stop him. Written by Jon Reeves <>

Plot Summary | Add Synopsis





Release Date:

2 September 1955 (USA)  »

Also Known As:

Beezy Bear  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound Recording)



Aspect Ratio:

2.35 : 1
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Did You Know?


Ranger J. Audubon Woodlore: [seeing Humphrey wet] Hmm, why are you always wet?
[Humphrey feverishly dries himself off]
Ranger J. Audubon Woodlore: You bathe too much.
Donald Duck: Yeah, how 'bout that?
See more »


Featured in The New Mickey Mouse Club: Let's Go (1977) See more »

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User Reviews

A Tale Of A Duck & A Bear
30 September 2002 | by (Forest Ranch, CA) – See all my reviews

A Walt Disney DONALD DUCK Cartoon.

Beekeeper Donald is infuriated when a BEEZY BEAR from neighboring Brownstone National Park begins stealing his honey.

This humorous cartoon was one of a series to feature Humphrey Bear & Ranger J. Audubon Woodlore. Always an enjoyable duo, they starred in a short series of cartoons but ultimately disappeared into animated obscurity. Clarence "Ducky" Nash supplies Donald's voice, while Bill Thompson does the honors for the Ranger.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

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