4.6/10
121
7 user 3 critic

Bedevilled (1955)

Nightclub singer fleeing the scene of a murder is protected by a young man who is studying for the priest hood.

Directors:

, (uncredited)

Writers:

(screenplay), (story)
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Cast

Cast overview:
...
Monica Johnson
...
Gregory Fitzgerald
...
Francesca
Maurice Teynac ...
Trevelle
Robert Christopher ...
Tony Lugacetti
Joseph Tomelty ...
Father Cunningham
...
Father Du Rocher
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Storyline

Nightclub singer fleeing the scene of a murder is protected by a young man who is studying for the priest hood.

Plot Summary | Add Synopsis

Taglines:

M-G-M Presents The First Motion Picture To Be Photographed in Paris in CInemaScope and COLOR See more »

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

28 April 1955 (USA)  »

Also Known As:

Nachts auf den Boulevards  »

Filming Locations:


Box Office

Budget:

$868,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

This film performed poorly at the box office resulting in a loss of $518,000 ($4.7M in 2016) for MGM according to studio records. See more »

Quotes

Monica Johnson: [to Gregory Fitzgerald] I interfere with you no longer.
See more »

Connections

Featured in 1955 Motion Picture Theatre Celebration (1955) See more »

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User Reviews

 
Bewildered would be more apt
23 May 2013 | by (United States) – See all my reviews

As a golden age movie fan I was curious as soon as I saw the listing for this film. It seemed bewildering that I could be unfamiliar with an MGM film from the 50's starring Miss Anne Baxter in Technicolor, set in Paris and directed by the legendary Mitchell Leisen?

Well now I know how. What's bewildering is that a film with those advantages could turn out like this. While visually beautiful this is a flatfooted, turgidly paced suspense film missing the suspense. A very blonde Anne tries to breath life into this but she seems edgy and a bit lost. However like everybody else in this her character is poorly defined. In addition she has the titanic task of acting opposite Steve Forrest, never the most facile of actors, who is beyond wooden in the lead. In no way does he suggest any sort of spirituality or a sense of real conflict with the decisions before him.

He can be blamed somewhat for the failure of the movie but the two main culprits are the nonsensical script and Leisen. Usually able to turn out either saucy concoctions like The Mating Season, Midnight and Kitty or solid dramas along the lines of Hold Back the Dawn and Swing High, Swing Low he is off his game here on how to turn this dull lump of coal into something resembling entertainment.

The film is beautiful to look at, taking advantage of its location shooting with breathtaking views of Paris. Pretty pictures however are not enough to make an entertaining movie. The film is not painfully bad but it is a mediocre effort at best.


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