Nightclub singer fleeing the scene of a murder is protected by a young man who is studying for the priest hood.

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, (uncredited)

Writers:

(screenplay), (story)
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Cast

Cast overview:
...
Monica Johnson
...
Gregory Fitzgerald
...
Francesca
Maurice Teynac ...
Trevelle
Robert Christopher ...
Tony Lugacetti
Joseph Tomelty ...
Father Cunningham
...
Father Du Rocher
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Storyline

Nightclub singer fleeing the scene of a murder is protected by a young man who is studying for the priest hood.

Plot Summary | Add Synopsis

Taglines:

M-G-M Presents The First Motion Picture To Be Photographed in Paris in CInemaScope and COLOR See more »


Certificate:

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Details

Country:

Language:

Release Date:

28 April 1955 (USA)  »

Also Known As:

Nachts auf den Boulevards  »

Filming Locations:


Box Office

Budget:

$868,000 (estimated)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

This film performed poorly at the box office resulting in a loss of $518,000 ($4.7M in 2016) for MGM according to studio records. See more »

Quotes

Monica Johnson: [to Gregory Fitzgerald] I interfere with you no longer.
See more »

Connections

Featured in 1955 Motion Picture Theatre Celebration (1955) See more »

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User Reviews

 
Only one thing to recommend it
23 July 2004 | by (Oakland CA) – See all my reviews

Bedevilled is an unusual but dull tale of intrigue in post-war Paris. Anne Baxter and Steve Forrest are completely unable to set off any romantic sparks, and Jo Eisinger's screenplay does them no favors. That's a shame, really, because the setup--newly ordained priest confronts temptation in the City of Lights--holds potential interest. Are there any reasons to watch this Cinemascope trifle? Well, not really, unless you enjoy first class cinematography. Shot on location by the great British DoP, Freddie Young (Lawrence of Arabia, Doctor Zhivago), the film looks positively stunning. Young was one of the early masters of the widescreen process, and he takes full advantage of the Panavision lens here. Even more remarkably, he managed to get good results from Eastmancolor stock. Turn down the sound and enjoy.


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