In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common ... See full summary »
The lives of a close-knit group of brothers growing up in Iowa during the days of the Great Depression and of World War II and their eventual deaths in action in the Pacific theater are ... See full summary »
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
In 1942, a group of young men join the Marines, leaving loved ones behind. Primed for battle, they are frustrated by many non-combat assignments, as we follow their wartime romances, especially Andy Hookens' involvement with Pat, a New Zealand widow. Andy and Pat have just decided that war requires them to 'live for the moment' when, in 1944, our team finally goes into a real battle... Written by
Rod Crawford <firstname.lastname@example.org>
Music by Jacques Offenbach from "Geneviève de Brabant"
Lyrics attributed to L.Z. Phillips
Played during the opening credits and at various times throughout the picture
Sung by a chorus at the end See more »
For those of us who lived thru the War, BATTLE CRY is a splendid multi story Marines in Love and War drama, masterfully overseen by veteran Raoul Walsh, with a career perf by Aldo Ray, backed with fine work from Van Heflin, James Whitmore, Tab Hunter, Nancy Olson and others in a star cast. A huge box office hit from an equally big bestseller, marking a vast improvement on the book. Sentimental, exciting, plausible, involving and thoroughly entertaining; its 149 minute running time paced properly, unlike today's bloated epics, which seem to embrace overlength as a substitute for content and skill. Unlike Spielberg's yawner, CRY didn't need to resort to F/X bloodbaths to awaken the audience's attention.
I saw BATTLE CRY on Feb. 19, 1955 at the Laurel Theatre in San Carlos, a Saturday night at the movies in an Art Deco suburban house. Maybe you have to be 66 to appreciate this film for what it represents; and maybe you need to be 26 to swallow Spielberg's version of D-Day. I'll stick with BATTLE CRY.
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