A ruthless Union captain is renowned throughout his prison fort as the toughest soldier in the business, capable of capturing every escaped convict under his supervision. However, when he ... See full summary »
A crusading reporter plans his own arrest and conviction for first degree murder, trying to show that the death sentence should be outlawed when based on circumstantial evidence alone, but his plan goes awry.
From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by
Before he apparently pushed to get himself dropped from this picture, Richard Brooks had been attached to direct the film after working on the script with writer Millard Kaufman. But in a meeting with Kaufman, Brooks angrily phoned star Spencer Tracy, and with Kaufman right beside him, told Tracy the project was 'a piece of shit'. Coincidentally or not, Brooks very soon afterwards was much happier making his own film from his own screenplay, the breakout hit, Blackboard Jungle (1955). Then, barely a year later, Brooks and Kaufman found themselves competing against each other for the Best Screenplay award. They lost to Paddy Chayefsky's Marty (1955). See more »
McCreedy rents the U.S. Army quarter-ton truck (jeep) and drives it around with his one arm. That model truck only had a standard transmission. Yet you can hear the gears shift but McCreedy never engages the clutch or works the shifter. See more »
For the first time in 4 years the train stops at the small desert town of Black Rock. An one armed war veteran gets off looking for a man whose name causes hostility among the residents of the town, led by Reno Smith. Macreedy digs deeper to find a town hiding a shameful secret that they were too apathetic to deal with. But will they stand up now?
Most people will tell you this film is famous because it was one of the first times an American film acknowledged that, after Pearl Harbour, oriental Americans were abused and treated badly. However to me this film is a damnation to those who stand back and refuse to take a stand against wrong doing. The whole plot is hinged on whether or not people ill stand up and do the right thing with Macreedy. The film plays well as a moral fable but also as a tense thriller and both are enjoyable.
The film is quite short, but builds well from hostile locals to eventual violence and confrontation in the desert. The moral of taking a stand is weaved into it well without taking away from the main drama and tension. It isn't perfect as it is a bit simplified but in the desert heat of the small town the tension is really well recreated.
The cast is surprisingly deep in hindsight. Tracy is manners himself as the man who gets more irate by the apathy around him as he gets to uncover more and more of the town. Ryan is cool but a little too inhuman for my tastes. Jagger and Brennan are suitably trapped in their performances and represent those happy to watch bad things happen if they get a quiet life. In retrospect Borgnine and Marvin add star power and do well with what could have been just thug/heavy roles.
Overall this film worked for me on several levels. The heat of the desert adds to the tension in the actual drama story itself. However it also works as a moral fable with a very clear message stand up for what is right or watch what you believe slip away at an alarming rate.
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