7.8/10
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Bad Day at Black Rock (1955)

Approved | | Crime, Drama, Mystery | 15 May 1955 (Japan)
A one-handed stranger comes to a tiny town possessing a terrible past they want to keep secret, by violent means if necessary.

Director:

Writers:

(screen play), (adaptation) | 1 more credit »
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ON DISC
Nominated for 3 Oscars. Another 3 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
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Sam
Rest of cast listed alphabetically:
Walter Beaver ...
Cafe Lounger (unconfirmed)
Billy Dix ...
Cafe Lounger (unconfirmed)
Mickey Little ...
Cafe Lounger (unconfirmed)
K.L. Smith ...
Cafe Lounger (unconfirmed)
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Storyline

From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

They're going to kill you...with no hard feelings! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

15 May 1955 (Japan)  »

Also Known As:

Bad Day at Hondo  »

Filming Locations:

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Box Office

Budget:

$1,271,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(35 mm optical prints) (Western Electric Sound System)| (35 mm magnetic prints)

Color:

(Eastman Color)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

According to director John Sturges' commentary track on the Criterion laserdisc, this film was also shot simultaneously in a standard 4:3 ratio version (as well as CinemaScope), because MGM executives were unsure of the wide-screen version. It was never released. See more »

Goofs

McCreedy rents the U.S. Army quarter-ton truck (jeep) and drives it around with his one arm. That model truck only had a standard transmission. Yet you can hear the gears shift but McCreedy never engages the clutch or works the shifter. See more »

Quotes

Coley Trimble: I think Macreedy's a nothin', a nobody. So there's nothin' to worry about. What can he find out?... That Komoko... Suppose he finds out.
Reno Smith: A nobody like Macreedy can raise a pretty big stink. The point is, who'd miss a nobody like Macreedy if he just, uh, say, disappeared? Who, Coley?
Pete Wirth: Why don't we wait?... I mean, maybe he won't find anything. Maybe he'll just go away.
Reno Smith: Not Macreedy. I know those maimed guys. Their minds get twisted. They put on hair-shirts and act like martyrs. All of 'em are ...
[...]
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Connections

Referenced in Kojak: A Long Way from Times Square (1975) See more »

Frequently Asked Questions

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User Reviews

Tense moral fable
9 November 2002 | by (United Kingdom) – See all my reviews

For the first time in 4 years the train stops at the small desert town of Black Rock. An one armed war veteran gets off looking for a man whose name causes hostility among the residents of the town, led by Reno Smith. Macreedy digs deeper to find a town hiding a shameful secret that they were too apathetic to deal with. But will they stand up now?

Most people will tell you this film is famous because it was one of the first times an American film acknowledged that, after Pearl Harbour, oriental Americans were abused and treated badly. However to me this film is a damnation to those who stand back and refuse to take a stand against wrong doing. The whole plot is hinged on whether or not people ill stand up and do the right thing with Macreedy. The film plays well as a moral fable but also as a tense thriller and both are enjoyable.

The film is quite short, but builds well from hostile locals to eventual violence and confrontation in the desert. The moral of taking a stand is weaved into it well without taking away from the main drama and tension. It isn't perfect as it is a bit simplified but in the desert heat of the small town the tension is really well recreated.

The cast is surprisingly deep in hindsight. Tracy is manners himself as the man who gets more irate by the apathy around him as he gets to uncover more and more of the town. Ryan is cool but a little too inhuman for my tastes. Jagger and Brennan are suitably trapped in their performances and represent those happy to watch bad things happen if they get a quiet life. In retrospect Borgnine and Marvin add star power and do well with what could have been just thug/heavy roles.

Overall this film worked for me on several levels. The heat of the desert adds to the tension in the actual drama story itself. However it also works as a moral fable with a very clear message – stand up for what is right or watch what you believe slip away at an alarming rate.


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