A year after a violent train robbery the Pinkerton detective agency hires a bounty hunter to find the three remaining killers. He tracks them to Twin Forks but has no clue to their identity... See full summary »
André De Toth
Commander James Ferraday, USN, has new orders: get David Jones, a British civilian, Captain Anders, a tough Marine with a platoon of troops, Boris Vasilov, a friendly Russian, and the crew ... See full summary »
A crusading reporter plans his own arrest and conviction for first degree murder, trying to show that the death sentence should be outlawed when based on circumstantial evidence alone, but his plan goes awry.
From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by
The suit that Spencer Tracy wears throughout the film was bought by him off the rack, at his insistence. See more »
As the train approaches the town, the horn blows twice, which is the signal for starting up. The mandatory signal for a grade crossing (long, long, short, long) is never blown, although one clearly exists. When the train departs, the conductor makes a confused hand signal to the engineer resembling the horizontal motion that means "stop" rather than the vertical motion that means "go". The engineer never responds with the "long, long" starting signal. See more »
You don't know anything about Komoko, now do you, Tim?
Sheriff Tim Horn:
I do not. That's the point.
The point is, what you don't know won't hurt you.
Sheriff Tim Horn:
Maybe there's something that I ought to know. Maybe there's something that I ought to ask you, before the stranger comes back here and starts breathing down my neck.
Tim, you're just a lost ball in the high weeds! I told you a long time ago, nothing happened for you to worry about.
Sheriff Tim Horn:
Thing is, I do worry. Maybe I ain't much else, but I'm sure a worrier. And I'm ...
[...] See more »
"Bad Day at Black Rock" is one of the more interesting "westerns" ever made. Told in the present(1955), it has all of the elements and feel of the classic western that may have taken place eighty years prior to this. From the first shot of the modern day locomotive traveling along the same path that many a stagecoach may have taken, you realize that this is a story about a way of life that has not been totally brought up to date. Where strangers are suspicious, secrets that take place in a town stay in the town.
John Sturges has done a wonderful job of bringing all of these elements together. One of the things that I found interesting was that there were very few, if any, close-ups. Most of the shots could have been master shots. For me, this made me feel as though I were a by-stander in the room with the characters while they talked. A nice touch.
As expected all of the performances are great. Tracy, Ryan, Brennan, and Jagger are all terrific. As are Lee Marvin and Ernest Borgnine (two actors at the time who were about to break out, and become top-line stars).
If you like classic westerns, and great acting, "Bad Day at Black Rock" will not disappoint.
8 out of 10
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