Years after her aunt was murdered in her home, a young woman moves back into the house with her new husband. However, he has a secret which he will do anything to protect, even if that means driving his wife insane.
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by
The script called for Macreedy to light matches one-handed. Spencer Tracy had difficulty with this and convinced director John Sturges to let him use a Zippo lighter, as every veteran he ever met had one. See more »
At the climax of the film, Macreedy is attempting to use his tie as the 'fuse' for a fire-bomb. Though his 'dead' arm remains stuffed in his jacket pocket, he clearly uses its hand when tearing the tie. See more »
Doc T.R. Velie Jr.:
Smith owned Adobe Flat. He leased it to Komoko. He figured he had cheated him because you gotta have water to raise anything. There never was any water on Adobe Flat. Komoko dug a well. He must have gone down sixty feet
He got plenty of water. That made Smith pretty sore. He didn't like Japs anyway. The day after Pearl Harbor, Smith went to Sand City.
John J. Macreedy:
Yeah, he got turned down, trying to enlist.
Well, when he got back, he was pretty sore. Around ten o'clock, we all started drinking.
John J. Macreedy:
Ten in the ...
[...] See more »
"Bad Day at Black Rock" is one of the more interesting "westerns" ever made. Told in the present(1955), it has all of the elements and feel of the classic western that may have taken place eighty years prior to this. From the first shot of the modern day locomotive traveling along the same path that many a stagecoach may have taken, you realize that this is a story about a way of life that has not been totally brought up to date. Where strangers are suspicious, secrets that take place in a town stay in the town.
John Sturges has done a wonderful job of bringing all of these elements together. One of the things that I found interesting was that there were very few, if any, close-ups. Most of the shots could have been master shots. For me, this made me feel as though I were a by-stander in the room with the characters while they talked. A nice touch.
As expected all of the performances are great. Tracy, Ryan, Brennan, and Jagger are all terrific. As are Lee Marvin and Ernest Borgnine (two actors at the time who were about to break out, and become top-line stars).
If you like classic westerns, and great acting, "Bad Day at Black Rock" will not disappoint.
8 out of 10
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