Cattle baron Matt Devereaux raids a copper smelter that is polluting his water, then divides his property among his sons. Son Joe takes responsibility for the raid and gets three years in ... See full summary »
A germ warfare lab has had an accident. The first theory is that one of the nasty germs has gotten free and killed several scientists. The big fear is that a more virulent strain, named The... See full summary »
A crusading reporter plans his own arrest and conviction for first degree murder, trying to show that the death sentence should be outlawed when based on circumstantial evidence alone, but his plan goes awry.
From the time John J. Macreedy steps off the train in Black Rock, he feels a chill from the local residents. The town is only a speck on the map and few if any strangers ever come to the place. Macreedy himself is tight-lipped about the purpose of his trip and he finds that the hotel refuses him a room, the local garage refuses to rent him a car and the sheriff is a useless drunkard. It's apparent that the locals have something to hide but when he finally tells them that he is there to speak to a Japanese-American farmer named Kamoko, he touches a nerve so sensitive that he will spend the next 24 hours fighting for his life. Written by
Just before shooting began, an indecisive Spencer Tracy tried to back out of the picture. Weighed down by his growing alcoholism, Tracy refused to commit to the picture. In order to close the deal, an MGM executive contacted Tracy shortly before filming was to begin and said, "Don't worry, Mr. Tracy, a copy of the script has been sent to Alan Ladd and he has agreed to do the picture." The next day, Tracy committed to the film. Ladd, however, apparently never even saw the script. See more »
When Macreedy tries to escape town with Liz, he doesn't have his suitcase. See more »
Spencer Tracy heads a great cast in this much-admired drama that takes place in the west. It's a rare treat to see Tracy and Robert Ryan in the same film, with scenes together. Two truly top-notch veterans, with exemplary career acting achievements.
The tight script, solid directing (by John Sturges), a powerful score (by Andre Previn) and outstanding Cinemascope photography combine to elevate "Bad Day at Black Rock" to a place among the great films.
One really cannot fully apprecitate this film on a regular size pan-and-scan screen, and even the letterboxed version doesn't adequately convey the impact of its original Cinemascope moviehouse presentation. One only can try today to imagine the original. Yet, a fine film can overcome format, and "Bad Day" still packs a whopper punch.
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