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Artists and Models (1955)

Unrated | | Comedy, Musical, Romance | 7 November 1955 (USA)
Rick Todd uses the dreams of his roommate Eugene as the basis for a successful comic book.

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(screenplay), (play) | 4 more credits »
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Cast

Complete credited cast:
...
...
...
Bessie Sparrowbrush
...
Eddie Mayehoff ...
Mr. Murdock
...
Sonia / Mrs. Curtis
...
Anita
...
Richard Stilton (as George 'Foghorn' Winslow')
...
Ivan
Herbert Rudley ...
Secret Service Chief Samuels
Richard Shannon ...
Secret Service Agent Rogers
Richard Webb ...
Secret Service Agent Peters
Alan Lee ...
Otto
...
Kurt
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Storyline

Rick Todd and Eugene Fullstack share an apartment and have dreams for the future. Rick is an aspiring artist looking for a break. Eugene loves comic books, especially The Bat Lady series. He is so engrossed with her stories that he has nightmares and dreams of his own comic book characters. Their luck begins to change when Abby Parker is fired as the artist for the Bat Lady. Rick pitches his own comic book series and Eugene gets to meet Bessie Sparrowbrush, who, unbeknown to him, is the artist's model the Bat Lady. Rivalry and romance ensues for all four of them, with several song and dance numbers along the way. Written by garykmcd

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

7 November 1955 (USA)  »

Also Known As:

Artistes et modèles  »

Box Office

Budget:

$1,500,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

According to the Paramount Collection at the AMPAS Library the film was produced at the cost of $1,701,083, which was $103,083 over its allotted budget. Because of the budget overruns, a planned "The Bat Lady" musical production number was never filmed. See more »

Goofs

When Rick is in the bathtub, there is a water pipe that is in the shot and then disappears and then reappears. See more »

Quotes

Rick Todd: Well, what's the rush? I never met a lady cartoonist before.
Abigail 'Abby' Parker: [Sarcastically] All lady cartoonists are extremely grateful.
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Soundtracks

You Look So Familiar
Lyrics by Jack Brooks
Music by Harry Warren
Sung by Dean Martin
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User Reviews

 
Very funny, if you can stand Jerry Lewis
14 September 2002 | by (Saint Paul, MN) – See all my reviews

I had never seen a Jerry Lewis vehicle before this one (not counting Scorsese's King of Comedy), and I was annoyed as hell for the first fifteen minutes. I even considered walking out, that's how irate I was getting at Lewis' mugging. But then there was a scene in which he was hilarious, so I hung onto it a bit. And it got funnier and funnier. Jerry Lewis isn't getting a clean bill of health from me; he still annoyed me once in a while. But in at least an equal amount of scenes, and probably a bit more, he was very funny. He and Dean Martin play "roommates" who met each other way back when they were Boy Scouts, sleep in separate twin beds in the same room, take baths with the door open, and at one point talk about getting a divorce. At one point the semi-retarded Lewis (and he admits as much himself) says to Martin: "I can't keep my dickie down, Ricky." Um, he's putting on a tuxedo I think. Similarly, Dorothy Malone lives in the apartment directly above them, unmarried with thick, black glasses and earning a good living on her own. She spends her time dressing the barely adult Shirley MacLaine, who has a cute little butch cut, up as the Bat Lady. The homosexual content seems to me almost too obvious to be meant. It's usually much subtler in Hollywood movies of the era. Then again, it's impossible to miss it, even you're a 1950s housewife. Eventually, the two gay couples meet and change partners, Martin getting Malone and Lewis MacLaine. MacLaine, in her second (or maybe third) role, is probably the film's standout, but Eddie Mayehoff, playing a comic book publisher who wants ever more violent comic books to sell, lands the highest percentage of the laughs. Eva Gabor has a decent part as a Soviet spy (a Cold War plotline appears out of thin air in the latter half of the film), and Anita Ekberg, later to co-star in Fellini's La Dolce Vita, also has a tiny role as a model. The non-Lewis related comedy is frivolous but excellent. The film also contains several great musical numbers. Dean Martin at one point starts dancing with a little girl on the street in a scene stolen from An American in Paris. The girl, though, is an excellent back-up singer and the song itself - I believe it's called "The Lucky Song" - is quite entertaining. 8/10.


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