Rosario Scimoni is twenty years old and lives in Catania at the beginning of this century. He loves two things in life: women and money and he is the secretary of the mayor who is his uncle...
See full summary »
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ... See full summary »
Alberto Menichetti lives with an aunt and an old housekeeper, Clotilde; he has a job in a firm and his boss is Mrs. De Ritis, a widow whose husband was killed during a wild boar hunt. She ... See full summary »
Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
Amedeo is a poor Italian immigrant living in Australia for twenty years. Seeking to marry an Italian wife, he corresponds with Carmela, a pretty girl from Rome. They do not reveal their ... See full summary »
A citizen of the Veneto in her sixties. Three stories of "love in the country": a pseudo Don Giovanni confesses his impotence to the doctor in confidence but he becomes betrayed by him - ... See full summary »
A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing ... See full summary »
Rosario Scimoni is twenty years old and lives in Catania at the beginning of this century. He loves two things in life: women and money and he is the secretary of the mayor who is his uncle, and the lover of the mayor's wife, but, unfortunately, he isn't paid for neither of his two jobs. When Rosario falls in love with Paola, partner af a socialist, he becames socialist and let the man of Paola go to jail to have her, but he has no success. When Mussolini and his fascists take the power, Rosario found himself fascist and he marries a women ugly but rich. He becames a gerarca (high fascist authority). When during World War II Sicily is invaded by the allied troops he camouflages himself as communist and at the end of the war he goes to Rome after losing all the money he had. In Rome Rosario changes again his skin and becames a Chistian Democrat after the Christian Democrat's victory in the elections of 1948. Trying to speculate on the land near Rome he ends in prison for five years and... Written by
Alberto Sordi, one of the major actors in post World War II Italy, had a tendency to make one movie after another, meaning that he could either star in masterpieces ("I Vitelloni" directed by Fellini, to name just one example) or appear in dreadful flicks. It seems that he was never really choosy in his career. He fortunately met a few directors who knew how to direct him and use his skills: not only Fellini, but also Risi, Rosi..., and the lesser known Luigi Zampa. I was expecting another star vehicle for Sordi but "L'Arte di Arrangiarsi" ("The Art of Getting Along") is more subtle than that. Indeed, Sordi plays once again one of those petty characters he has often played. Fortunately, the film was not made just in praise of Sordi's talent. With the story of Sasa Scimoni (Alberto Sordi), Zampa recounts forty years or so of Italian history with irony and dark humor, portraying Italian society with all its imperfections. The main character of the film is an expert at changing sides, his only interest in life being women and money. It wouldn't be so much a problem if Sasa didn't live in a troubled era: from the 1910s to the 1950s, Italy underwent a period of drastic political changes (especially with the rise and fall of Mussolini) and no less than two world wars. Impossible to pull through such an eventful period without getting some fingers burnt, as Sasa will learn. Zampa was a good satirist, but his films did not have the same impact or strength as works from directors like Risi or Fellini. One can tell why when watching "L'Arte di Arrangiarsi": it is a well-written comedy (maybe a little too well-written...), Alberto Sordi is in good shape, but it lacks that little spark that would have taken the film much higher. Maybe it wasn't enough biting? It is nevertheless a very enjoyable film, not only for Sordi's fans, but for all those who love Italian comedies.
2 of 2 people found this review helpful.
Was this review helpful to you?