Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
China Valdes joins the Cuban underground after her brother is killed by the chief of the secret police, Ariete. She meets and falls in love with American expatriate Tony Fenner. Tony ... See full summary »
Shortly after WWII, flashbacks tell the story of Marise, her husband Paul, and Jean, who was imprisoned with Paul in a German camp. While attempting to escape from the camp Paul is shot, ... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
The first carrier shown, during training with the 20 on her deck; is the U.S.S. Bennington. The second carrier shown, during carrier operation in Korea with the 10 on her deck; is the U.S.S. Yorktown. Both carriers are Essex class carriers built near the end of World War II. Both were later modernized to accommodate jets. The last carrier shown just as the film is ending with 41 on the deck; is the U.S.S. Midway in World War II trim. The clip of the Midway shows the gun mounts at the end of the flight deck that were removed as part of the SCB-27A conversion that brought all the Essex class carriers up to handling jets. See more »
With a pretense of being a salute to a great American institution and the brave officers it produces, this film relies on choppy inserts of combat stock footage, flat dialogue, and improbable situations (but nonetheless a very predictable plot swiped from the 1928 film "Annapolis") to "glorify" a great tradition. Everyone looks great, including the Navy fighter jets, and there are some respectful shots of Academy traditions, but if the studio wanted to make a cinema salute to Annapolis and its graduates who served in the Korean war, it should have employed a more creative and/or dedicated director and more talented writers, film editors, and cinematographers. Annapolis deserves better. For dramatic contrast see John Ford's salute to West Point: "The Long Gray Line."
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