Barbara Beaurevel lives with her aunt and cousin in New Orleans in the late 1800's. In love with Mark Lucas, a research doctor at Tulane University, her plans to marry him are thwarted. ... See full summary »
When the government agency fails to deliver even the meager supplies due by treaty to the proud Cheyenne tribe in their barren desert reserve, the starving Indians have taken more abuse ... See full summary »
Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
The familiar tragic story of Vincent van Gogh is broadened by focusing as well on his brother Theodore, who helped support Vincent. The movie also provides a nice view of the locations which Vincent painted.
The first carrier shown, during training with the 20 on her deck; is the U.S.S. Bennington. The second carrier shown, during carrier operation in Korea with the 10 on her deck; is the U.S.S. Yorktown. Both carriers are Essex class carriers built near the end of World War II. Both were later modernized to accommodate jets. The last carrier shown just as the film is ending with 41 on the deck; is the U.S.S. Midway in World War II trim. The clip of the Midway shows the gun mounts at the end of the flight deck that were removed as part of the SCB-27A conversion that brought all the Essex class carriers up to handling jets. See more »
Compact, well-paced, and easy on the eyes (as well as the brain), this is a worthy example of the "second features" coming out of Hollywood in the early to mid 1950s. It knows its place on the bottom half of a double-bill and has no pretensions to rise above its status.
The story line about the brothers-turned-rivals is satisfyingly predictable and intermixed with it is footage of the Naval Academy at Annapolis, back in the days when it was all-male and all-white. There's also a bit of aerial footage as the two brothers move from Annapolis to Pensacola to Corpus Christi and finally to Korea. There's even a street-scene shot of Tokyo in the post-war era.
John Derek, Diana Lynn, and Kevin McCarthy make an attractive threesome -- particularly in that glorious Technicolor of the era -- but despite all the obvious opportunities for shower-room and locker-room scenes at the Academy, there's very little beefcake. So much testosterone, so little skin! There is, however, a brief scene of a swimsuit-clad Diana Lynn and John Derek running out of the ocean and onto a beach, so we do get a glimpse of Derek's bare chest just about a year before it was caressed by Vincent Price's whip in 1956's "The Ten Commandments." Alvy Moore supplies the comic relief. (Does anyone "buy" him as a naval cadet?)
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